1166
A FEDERAL MAHOGANY VENEER LIGHTHOUSE CLOCK

细节
A FEDERAL MAHOGANY VENEER LIGHTHOUSE CLOCK
BY SIMON WILLARD & SONS, ROXBURY, MASSACHUSETTS, CIRCA 1825

The clear blown glass dome with knop finial enclosing a circular white enamel dial inscribed "Simon Willard and Sons" within a chased brass bezel surmounted with a false alarm bell and cap finial, the eight day movement weight driven, the case in two parts; the upper section tapering cylindrical with molded mid-band; the lower section octagonal with molded footrim on brass ball and cap feet, retains original dome and winding key--27½in. high
来源
William Barton
William E. Barton
Mabel Barton Ward
B.L. Williams
Perry Van Vleck
A descendant
Christie's, January 24, 1987, lot 246
出版
"The Guidebook to the Diplomatic Reception Rooms", Washington, D.C., 1975, p. 63
Eben Howard Gay, "Four Typical Colonial Clocks", The Magazine Antiques (January, 1923), pp. 27-29
展览
Washington, D.C., The Diplomatic Reception Rooms, Thomas Jefferson Room, 1974-1986.

拍品专文

'The subscriber respectfully informs his firends and the public, that the President of the United States has granted him a PATENT RIGHT for his newly invented ALARUM TIMEPIECE.' Patented in 1819, Simon Willard's alarm clock provided customers with a portable yet extravagant timepiece that for only the first few years were actually installed with working alarms. Referred to as Eddystone lighthouse clocks because of their resemblance to the Eddyston light in the English Channel, a small number of these clocks were made with many variations in their form and proportions.

Eager to compete with the fashionable foreign markets, Willard designed his alarm clock after imported French mantle clocks with a glass dome, porcelain dial, exposed works and ormolu bezel and feet. Made by Willard from 1819 into the 1830s and possibly later, Willard's earlier examples, such as this timepiece, are more slender and classical in form (Zea and Cheney, Clockmaking in New England (Sturbridge, 1992), pp. 51-52).

For a discussion of Simon Willard's lighthouse clocks see Richard W. Husher and Walter W. Welche, A Study of Simon Willard's Clocks (Boston, 1980), pp. 171-205. Related lighthouse clocls in museum collections are illustrated in Conger and Rollins, Treasures of State (New York, 1991), no. 153; White House (Cooper, In Praise of America ( ), fig. 136; Metropolitan Museum of Art (Palmer, Treasure of American Clocks (New York, 1967), nos. 89, 91; Old Sturbridge Village (Clockmaking in New England (Sturbridge, 1992), fig. 2.57; Diston & Bishop, The American Clock (New York, 1986), fig. 210; Winterthur Museum (Montgomery, American Furniture (New York, 1966), no. 175.