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ENGLISH SCHOOL, 1571

Portrait of Cicely Sandys, née Wilford (d. 1611), three-quarter-length, seated, in a black dress and hood, holding a page in a book

THOMAS LEIGH (ACTIVE 1634–1656)

Portrait of a member of the Chetwynd family, aged 4, full-length, in a richly embroidered green gown, a dog at his side, with a pochette and a game of skittles on a stool beside him

A DUTCH FLORAL MARQUETRY, FRUITWOOD, OAK AND WALNUT DISPLAY CABINET

LATE 18TH CENTURY AND ADAPTED, LATER VENEERED

A DUTCH BONE, FRUITWOOD AND OLIVEWOOD MARQUETRY WALNUT CENTRE TABLE

19TH CENTURY

TWO DUMMY BOARDS

THE GIRL WILLIAM &AMP; MARY, LATE 17TH CENTURY, THE BOY 19TH CENTURY

JOHN RILEY (LONDON 1646-1691) AND JOHN CLOSTERMAN (OSNABRÜCK 1660-1711 LONDON)

Portrait of Colonel Thomas Cheke of Pyrgo Park, Essex (1628-1688), Lieutenant of the Tower of London, full-length, in armour with a red sash, the Tower beyond

A PAIR OF GEORGE II GILTWOOD TORCHERES

SECOND QUARTER 18TH CENTURY

A WILLIAM AND MARY GILTWOOD PIER MIRROR

LATE 17TH CENTURY, PARTIALLY REFRAMED CIRCA 1725, POSSIBLY BY JOHN BELCHIER

WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO

An English Two-Decker at Sea

WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO

The Burning of the Soleil Royal during the Battle of La Hogue, 22 May 1692

WILLEM VAN DE VELDE THE YOUNGER (LEIDEN 1633-1707 WESTMINSTER) AND STUDIO

An English fleet running along a high coast in a moderate breeze

ATTRIBUTED TO JOHN HAYLS (ACTIVE LONDON 1640-1679)

Portrait of The Hon. Edward Russell (1625-1665), three-quarter-length, in a buff jacket with gold sleeves, breastplate and a red sash, with a helmet resting on a ledge and a castle in a landscape beyond

A GEORGE III BOXWOOD STRUNG, TULIPWOOD AND INDIAN ROSEWOOD CROSSBANDED, MAHOGANY SERPENTINE SIDEBOARD

CIRCA 1800

A GEORGE III SILVER EPERGNE

MARK OF THOMAS PITTS, LONDON, 1767

A GROUP OF FRENCH AND ENGLISH SILVER DRINKWARE

VARIOUS MAKERS, MID-18TH / 19TH CENTURY

TWO SIMILAR EARLY GEORGE III MAHOGANY PEMBROKE TABLES

CIRCA 1760-70

AN OTTOMAN TURKISH TORTOISESHELL, BONE AND MOTHER-OF-PEARL INLAID WALNUT TABLE CABINET

DATED AUGUST 1690

A GILTWOOD LARGE PIER MIRROR

EARLY 18TH CENTURY AND LATER, POSSIBLY ADAPTED AND EMBELLISHED IN THE EARLY 19TH CENTURY

A LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD, SATINE AND FRUITWOOD MARQUETRY BUREAU-DE-DAME

CIRCA 1750, IN THE MANNER OF BERNARD II VAN RISEN BURGH, THE MARQUETRY 19TH CENTURY

A SET OF TEN GEORGE III PARCEL-GILT, RED AND WHITE PAINTED DRAWING ROOM CHAIRS

CIRCA 1770, IN THE MANNER OF INCE &AMP; MAYHEW

A GILTWOOD MIRROR

DATED 1746

A GEORGE II PARCEL-GILT SILVER CHARGER

MARK OF WILLIAM CRIPPS, LONDON, 1762

CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)

Portrait of Viscountess Blundell, née Mary Chetwynd (1680-1756), three-quarter-length, seated in a blue dress, holding a sprig

ENGLISH SCHOOL, MID-EIGHTEENTH CENTURY

Portrait of Lord Robert Bertie (1721-82), half-length, in armour with a red ermine-trimmed cloak, in a feigned oval; and Portrait of Lady Robert Bertie (1719-98), half-length, in a white dress, blue sash and blue ermine-trimmed robes, in a feigned oval

CIRCLE OF GEORGE KNAPTON (LONDON 1698-1778)

Portrait of Lady Robert Bertie, née The Hon. Mary Blundell (1719-98), when Lady Robert Raymond, bust-length, in an ermine trimmed gown, in a feigned oval