Odilon Redon

Odilon Redon was a French artist best known for the paintings and prints he produced as a leading figure of the Symbolist movement. He said that his artworks were ‘not to be defined’, as ‘they place us… in the ambiguous realm of the undetermined.’

Born in Bordeaux in 1840, Redon rejected his father’s pleas to become an architect. Instead, he studied painting in Paris under Jean-Léon Gérôme, and then etching and lithography back in his hometown under Rodolphe Bresdin.

After a spell in the army during the Franco-Prussian War of 1870–71, he began the charcoal drawings and lithographs known collectively as his ‘Noirs’. These were produced in black on variously toned papers and would occupy him for more than two decades.

Sometimes taking inspiration from literary works by the likes of Gustave Flaubert and Edgar Allan Poe, the Noirs feature an array of dreamlike characters, such as smiling spiders and grumpy eggs. In one famous example, Eye Balloon, a hot-air balloon in the form of a human eye soars high above a marshy landscape. The Noirs are regarded by many observers as precursors of Surrealism.

In the 1890s, Redon’s art underwent a major shift: he embraced colour, turning his back on graphic work in favour of oil paintings and pastels. This was partly attributable to the influence of his friend, Paul Gauguin. Redon was an avid reader, and the subjects of his colour works include a range of religious figures and characters from classical mythology.

His best-known pictures, however, are the still-lifes of flowers, which he began in 1900 and created in large numbers. It was actually his wife who chose the flowers to be depicted — and arranged them in vases. They are portrayed naturalistically for the most part, albeit with a chromatic intensity that’s perhaps best described as otherworldly.

A number of Redon’s works were shown, to popular acclaim, at the famous Armory Show of 1913 in New York City.

He died three years later, aged 76. In 2018, his floral painting, Fleurs, from The Collection of Peggy and David Rockefeller, sold for $4,092,500 at Christie’s — setting a record for the highest price paid for a work by Redon at auction.

ODILON REDON (1840-1916)

Le pavot noir

Odilon Redon (1840-1916)

Vase au guerrier japonais

Odilon Redon (1840-1916)

La barque aux deux femmes blanches

ODILON REDON (1840-1916)

Grand bouquet de fleurs des champs

Odilon Redon (1840-1916)

Figure portant une tête ailée (La chute d'lcare)

Odilon Redon (1840-1916)

Vase de fleurs

Odilon Redon (1840-1916)

Fleurs dans un vase bleu

ODILON REDON (1840-1916)

La mort de Bouddha

Odilon Redon (1840-1916)

Bouquet de fleurs

Odilon Redon (1840-1916)

Coquelicots dans un vase vert

Odilon Redon (1840-1916)

Fleurs dans une cruche bleue

Odilon Redon (1840-1916)

Fleurs dans un vase vert

Odilon Redon (1840-1916)

Vase de fleurs avec branches de pommiers en fleurs

ODILON REDON (1840-1916)

Vase de fleurs

Odilon Redon (1840-1916)

La Voile grise

ODILON REDON (1840-1916)

Simone Fayet en communiante

ODILON REDON (1840-1916)

Pivoine, géranium et lilas

ODILON REDON (1840-1916)

La barque aux âmes inanimées

Odilon Redon (1840-1916)

Fleurs dans une coupe bleue

Odilon Redon (1840-1916)

Fleurs dans un vase

ODILON REDON (1840-1916)

Vase de fleurs

Odilon Redon (1840-1916)

Bouquet dans un petit vase de grès

Odilon Redon (1840-1916)

Femme de profil

Odilon Redon (1840-1916)

Le cauchemar (Les trois masques ou Vision ou Origines)

Odilon Redon (1840-1916)

La coupe de mystère (ou Sibylle)

Odilon Redon (1840-1916)

Fleurs dans un vase

Odilon Redon (1840-1916)

Géraniums et fleurs des champs

Odilon Redon (1840-1916)

Visage-Germination

Odilon Redon (1840-1916)

Femme nue au rocher

Odilon Redon (1840-1916)

Le cauchemar (Les trois masques; Vision; Origines)

ODILON REDON (1840-1916)

Bouquet de fleurs dans un vase

ODILON REDON (1840-1916)

Il y a peut-être une première humanité essayée dans la fleur

Odilon Redon (1840-1916)

L'ange guerrier

Odilon Redon (1840-1916)

Bouquet de fleurs dans un vase bleu

Odilon Redon (1840-1916)

Figure devant un arbre

ODILON REDON (1840-1916)

Le pêcheur aliéné

Odilon Redon (1840-1916)

Deux personnages

Odilon Redon (1840-1916)

L'homme aux lauriers