He believed in the interconnectedness of his activity in different disciplines, saying that ‘there are no sculptors who just sculpt, no painters who just paint, and no architects who just design buildings.’
Charles-Édouard Jeanneret was born in the Swiss town of La Chaux-de-Fonds in 1887 (Le Corbusier was a pseudonym that he would adopt once his career was underway).
Towards the end of World War I, he settled in Paris, where he began to paint in earnest. This was partly down to the influence of his new friend, the artist Amédée Ozenfant, who for a few years became a close collaborator. They exhibited works together and launched a periodical called L’Esprit Nouveau, in which they advanced the doctrine of an art movement called Purism.
This was conceived partly as a reaction against Cubism and insisted on an aesthetic of order, clarity and geometric forms — or ‘mathematical lyricism’, as Ozenfant and Le Corbusier put it. Purist paintings tended to be pared-back still-lifes, featuring mass-produced objects such as glasses, bottles and plates, depicted in an impersonal manner.
Le Corbusier continued to paint throughout his career. By the late-1920s, he had moved on radically from Purism, however, and begun to adopt a freer, more colourful style. His pictorial arrangements grew more complex too. Objects from the natural world appeared, such as rocks, shells and bones — as, most strikingly of all, did female figures, often in the nude.
In many cases, they were given distorted organic forms that veer towards abstraction. It might be said that these forms, to some extent, anticipated those taken by the buildings that he designed in his later years, such as Notre-Dame du Haut chapel in Ronchamp, France.
In 1964, Le Corbusier was named a Grand Officer of the Legion of Honour by the French state. He died a year later, aged 77.
LE CORBUSIER (1887-1965)
Deux figures au tronc d'arbre jaune
Le Corbusier (1887-1965)
Deux figures au tronc d'arbre jaune
LE CORBUSIER (1887-1965)
Femme (3éme recherche), 1962
LE CORBUSIER (CHARLES-JEANNERET DIT, 1887-1965)
Taureau VII
Le Corbusier (1887-1965)
Nature morte à la lanterne
Le Corbusier (1887-1965)
Trois bouteilles (bleu)
Le Corbusier (Charles-Edouard Jeanneret, 1887-1965) et Joseph Savina (1901-1983)
Étude de tête pour "La Sculpture Femme", 3 e recherche
LE CORBUSIER (1887-1965), NACH
Les trois musiciennes, um 1958 (ausgeführt)
Le Corbusier (1887-1965)
L'Homme Modulor, sculpté par Constantin Andréou, vers 1957
Le Corbusier (1887-1965)
Les trois musiciennes
Le Corbusier (1887-1965)
Icône et nature morte
Le Corbusier (1887-1965)
Petite confidence ou La Biche
Le Corbusier (1887-1965)
Composition pour sculpture Totem
LE CORBUSIER (1887-1965)
Paire de tabourets 'Trois dimensions', créés pour le pavillon du Brésil de la Cité Universitaire Internationale de Paris, vers 1959
Le Corbusier (Charles-Edouard Jeanneret, 1887-1965)
Deux femmes fantasques
Le Corbusier (1887-1965), Pierre Jeanneret (1896-1967) et Charlotte Perriand (1903-1999)
CHAISE LONGUE 'B306', ÉDITÉE PAR THONET FRÈRES, 1930
CHARLOTTE PERRIAND (1903-1999)
Bibliothèque designed for the Maison du Mexique, Cité Internationale Universitaire, Paris, circa 1952
LE CORBUSIER (1887-1965)
Nature morte sur un guéridon, 1962
LE CORBUSIER (1887-1965)
Petite confidence, 1962
Le Corbusier (Charles-Edouard Jeanneret, 1887-1965)
Quatre femmes autour d'une table
Le Corbusier (Charles-Edouard Jeanneret, 1887-1965)
Femme endormie
LE CORBUSIER (1887-1965)
LE CORBUSIER (1887-1965)
Le Corbusier (1887-1965)
Nature morte, carafe, verre, bouteille et dé
Le Corbusier (Charles-Edouard Jeanneret, 1887-1965)
Quatre musiciens
Le Corbusier (Charles-Edouard Jeanneret ,1887-1965)
Nature morte verticale
Le Corbusier (Charles-Edouard Jeanneret, 1887-1965)
Nature morte
Le Corbusier (1887-1965)
Têtes et mains
LE CORBUSIER (1887-1965)
Paire d'appliques, créées pour le pavillon du Brésil de la Cité Universitaire Internationale de Paris, vers 1956-1959
Le Corbusier (1887-1965)
Deux femmes
LE CORBUSIER (1887-1965)
Nature morte à la lanterne, 1940
LE CORBUSIER (1887-1965)
Suspension double, vers 1950
LE CORBUSIER (1887-1965)
Tabouret 'Trois dimensions', créé pour le pavillon du Brésil de la Cité Universitaire Internationale de Paris, vers 1959
Le Corbusier (Charles-Edouard Jeanneret, 1887-1965)
Garder mon aile dans ta main
Charles-Edouard Jeanneret, called Le Corbusier (1887-1965)
Composition avec figures
LE CORBUSIER (1887-1965)
Tabouret, designed for the Maison du Brésil, Cité Internationale Universitaire , Paris, circa 1959
LE CORBUSIER (1887-1965)
L'Éveil de l'Asie aus der Serie Taureaux, 1953
Le Corbusier (1887-1965)
Femme attablée aux mains croisées
LE CORBUSIER (1887-1965)
Tabouret 'Trois dimensions', créé pour le pavillon du Brésil de la Cité Universitaire Internationale de Paris, vers 1959
LE CORBUSIER (CHARLES-JEANNERET DIT, 1887-1965)
Nature morte
Le Corbusier (Charles-Edouard Jeanneret, dit, 1887-1965)
Composition abstraite
Le Corbusier (1887-1965)
Etude pour 'L'ange gardien du foyer'
Le Corbusier (1887-1965)
Nature morte
Le Corbusier (Charles-Edouard Jeanneret, dit, 1887-1965)
Taureau - Femme licorne et grande main
LE CORBUSIER (1887-1965)
Nature morte à la bouteille noire et à la carafe, 1943
Le Corbusier (1887-1965)
Étude pour La guitare et le mannequin
LE CORBUSIER (1887-1965)
Ohne Titel, 1947