John Piper

John Piper was born in Epsom, Surrey, in 1903. He attended the Richmond School of Art and later the Royal College of Art in London. Since early on in his artistic career, Piper was captivated by the romantic and rugged beauty of the British countryside, as well as its historic churches, castles and ruins.

Piper was a keen topographer, visiting thousands of churches, with particular interest in those of England and Wales, sketching and taking photographs. As a boy, he was the honorary local secretary of the Surrey Archaeological Society. Piper did not confine himself to one particular district or style of architecture. He enjoyed the bold carving of the Norman fonts and doors, the splendour of the great wool churches of flinty East Anglia and the towers and spires of the limestone belt stretching from Lincolnshire to Somerset.

The abstract works that John Piper produced in the 1930s mark one of the most productive and celebrated periods of his career. Moving away from descriptive narrative Piper turned his attention to creating a series of abstract paintings, developing a language of form, line and colour, which was born from his instinctive search for everyday symbols of geometry. During this period, Piper became associated with the Seven and Five Society, a group of modernist artists which included Henry Moore, Ben Nicholson, Barbara Hepworth and David Jones, among others.

However, Piper soon returned to a more representational style, blending modernism with traditional subjects. During World War II, he was appointed as an official war artist. In this role, Piper was tasked with recording the impact of the war on Britain’s architecture and landscape. His paintings from this time, such as the haunting images of bomb-damaged Coventry Cathedral, are among his most powerful works.

Beyond painting, Piper was also a prolific designer, contributing to stage sets, stained glass windows and tapestries. His collaborations with poet John Betjeman on the Shell Guides, a series of travel books celebrating British architecture, further solidified his reputation as an artist deeply connected to the cultural fabric of Britain. John Piper died in 1992 at the age of 88.


John Piper, C.H. (1903-1992)

Abstract Painting, 1935

John Piper, C.H. (1903-1992)

Forms on a White Ground

John Piper, C.H. (1903-1992)

Portland Stone Perspective

John Piper, C.H. (1903-1992)

The Scuola di S. Marco and SS. Giovanni e Paolo

JOHN PIPER, C.H. (1903-1992)

Binham Priory, Norfolk

John Piper, C.H. (1903-1992)

Portland Abstraction

John Piper, C.H. (1903-1992)

St George's Church, Portland

John Piper, C.H. (1903-1992)

Basilica of Maxentius, Colosseum and Arch of Titus

John Piper, C.H. (1903-1992)

Chambord (the roof)

John Piper, C.H. (1903-1992)

Welsh Landscape, Denbigh, Flintshire

John Piper, C.H. (1903-1992)

St Mark's Square, Venice

John Piper, C.H. (1903-1992)

Folly in West Wycombe Park

John Piper, C.H. (1903-1992)

Study for Salisbury Plain under plough

John Piper, C.H. (1903-1992)

Cottage across the Lake

John Piper, C.H. (1903-1992)

Harlaxton Manor, Lincolnshire

John Piper, C.H. (1903-1992)

Garn Fawr, Pembrokeshire II

John Piper, C.H. (1903-1992)

Industrial village

John Piper, C.H. (1903-1992)

Ventnor, Isle of Wight

John Piper, C.H. (1903-1992)

Coventry, November 1940

John Piper, C.H. (1903-1992)

Poulfoen, Brittany

John Piper, C.H. (1903-1992)

Study for Salisbury Plain under Plough

John Piper, C.H. (1903-1992)

Ten original designs for Coventry Cathedral stained glass windows

John Piper, C.H. (1903-1992)

New Church, Romney Marsh

John Piper, C.H. (1903-1992)

Skelton Church, Yorkshire

John Piper, C.H. (1903-1992)

Rockface under Tryfan, North Wales

John Piper, C.H. (1903-1992)

The Arch of Septimius Severus and The Church of SS. Luca and Martina

John Piper, C.H. (1903-1992)

Cotterstock Church

John Piper, C.H. (1903-1992)

Maen Bras (big stone and rain)

JOHN PIPER, C.H. (1903-1992)

The Garden at Stourhead

John Piper, C.H. (1903-1992)

Turn of the Grand Canal

John Piper, C.H. (1903-1992)

Corton Tower, near Lowestoft

John Piper, C.H. (1903-1992)

Still Life (Collage)

JOHN PIPER, C.H. (1903-1992)

Mortagne-sur-Mer

John Piper, C.H. (1903-1992)

Portland Stone, quarry perspective

John Piper, C.H. (1903-1992)

Tetbury - Project for stained glass

John Piper, C.H. (1903-1992)

Stansfield, Suffolk

John Piper, C.H. (1903-1992)

Corcomroe, Co. Clare