John Piper was born in Epsom, Surrey, in 1903. He attended the Richmond School of Art and later the Royal College of Art in London. Since early on in his artistic career, Piper was captivated by the romantic and rugged beauty of the British countryside, as well as its historic churches, castles and ruins.
Piper was a keen topographer, visiting thousands of churches, with particular interest in those of England and Wales, sketching and taking photographs. As a boy, he was the honorary local secretary of the Surrey Archaeological Society. Piper did not confine himself to one particular district or style of architecture. He enjoyed the bold carving of the Norman fonts and doors, the splendour of the great wool churches of flinty East Anglia and the towers and spires of the limestone belt stretching from Lincolnshire to Somerset.
The abstract works that John Piper produced in the 1930s mark one of the most productive and celebrated periods of his career. Moving away from descriptive narrative Piper turned his attention to creating a series of abstract paintings, developing a language of form, line and colour, which was born from his instinctive search for everyday symbols of geometry. During this period, Piper became associated with the Seven and Five Society, a group of modernist artists which included Henry Moore, Ben Nicholson, Barbara Hepworth and David Jones, among others.
However, Piper soon returned to a more representational style, blending modernism with traditional subjects. During World War II, he was appointed as an official war artist. In this role, Piper was tasked with recording the impact of the war on Britain’s architecture and landscape. His paintings from this time, such as the haunting images of bomb-damaged Coventry Cathedral, are among his most powerful works.
Beyond painting, Piper was also a prolific designer, contributing to stage sets, stained glass windows and tapestries. His collaborations with poet John Betjeman on the Shell Guides, a series of travel books celebrating British architecture, further solidified his reputation as an artist deeply connected to the cultural fabric of Britain. John Piper died in 1992 at the age of 88.
John Piper, C.H. (1903-1992)
Abstract Painting, 1935
John Piper, C.H. (1903-1992)
Forms on a White Ground
John Piper, C.H. (1903-1992)
Abstraction
John Piper, C.H. (1903-1992)
Portland Stone Perspective
John Piper, C.H. (1903-1992)
Sea Buildings
John Piper, C.H. (1903-1992)
The Scuola di S. Marco and SS. Giovanni e Paolo
JOHN PIPER, C.H. (1903-1992)
Binham Priory, Norfolk
JOHN PIPER, C.H. (1903-1992)
Seaton Delaval
John Piper, C.H. (1903-1992)
Portland Abstraction
John Piper, C.H. (1903-1992)
Portland
John Piper, C.H. (1903-1992)
St George's Church, Portland
John Piper, C.H. (1903-1992)
Basilica of Maxentius, Colosseum and Arch of Titus
John Piper, C.H. (1903-1992)
Park Place
John Piper, C.H. (1903-1992)
Chambord (the roof)
John Piper, C.H. (1903-1992)
Welsh Landscape, Denbigh, Flintshire
John Piper, C.H. (1903-1992)
Abstract
John Piper, C.H. (1903-1992)
St Mark's Square, Venice
John Piper, C.H. (1903-1992)
Folly in West Wycombe Park
John Piper, C.H. (1903-1992)
Study for Salisbury Plain under plough
John Piper, C.H. (1903-1992)
Cottage across the Lake
John Piper, C.H. (1903-1992)
Harlaxton Manor, Lincolnshire
John Piper, C.H. (1903-1992)
Garn Fawr, Pembrokeshire II
John Piper, C.H. (1903-1992)
Industrial village
John Piper, C.H. (1903-1992)
Ventnor, Isle of Wight
John Piper, C.H. (1903-1992)
Coventry, November 1940
John Piper, C.H. (1903-1992)
Poulfoen, Brittany
John Piper, C.H. (1903-1992)
Study for Salisbury Plain under Plough
John Piper, C.H. (1903-1992)
Ten original designs for Coventry Cathedral stained glass windows
John Piper, C.H. (1903-1992)
New Church, Romney Marsh
John Piper, C.H. (1903-1992)
Skelton Church, Yorkshire
John Piper, C.H. (1903-1992)
Rockface under Tryfan, North Wales
John Piper, C.H. (1903-1992)
The Arch of Septimius Severus and The Church of SS. Luca and Martina
John Piper, C.H. (1903-1992)
Cotterstock Church
John Piper, C.H. (1903-1992)
Maen Bras (big stone and rain)
JOHN PIPER, C.H. (1903-1992)
The Garden at Stourhead
John Piper, C.H. (1903-1992)
Colosseum
John Piper, C.H. (1903-1992)
Turn of the Grand Canal
John Piper, C.H. (1903-1992)
Corton Tower, near Lowestoft
John Piper, C.H. (1903-1992)
Still Life (Collage)
John Piper, C.H. (1903-1992)
Glyders Rocks
JOHN PIPER, C.H. (1903-1992)
Mortagne-sur-Mer
John Piper, C.H. (1903-1992)
Portland Stone, quarry perspective
John Piper, C.H. (1903-1992)
Tetbury - Project for stained glass
John Piper, C.H. (1903-1992)
Autumn flowers
John Piper, C.H. (1903-1992)
Clytha Folly
John Piper, C.H. (1903-1992)
Stansfield, Suffolk
John Piper, C.H. (1903-1992)
Aldeburgh
John Piper, C.H. (1903-1992)
Corcomroe, Co. Clare