Whistler was born in the city of Lowell in Massachusetts in 1834. In his late teens, he enrolled in the United States Military Academy at West Point. By his early twenties, however, he had left for Paris, with his heart set on becoming an artist.
He trained in the atelier of Charles Gleyre and soon became a friend of Gustave Courbet, whose work in the style of Realism proved an early influence. In 1859, Whistler moved to London, and for much of the rest of his career acted as a conduit of artistic ideas between the British and French capitals. Symphony in White, No.1: The White Girl, for example, owes a debt to the Pre-Raphaelites.
That painting became a sensation upon its showing in both London and Paris — in part because the public associated it with Wilkie Collins’s hugely popular, recent mystery novel, The Woman in White.
In the 1860s, under the increasing influence of Japonisme, Whistler began producing landscapes in which he turned his back on naturalistic transcription. He opted instead for allusive subjects, flat decorative surfaces and subtle tonal harmonies. It is in the same vein that one can regard his Nocturne scenes of London from the following decade.
Whistler was a keen printmaker throughout his career too. Among his well-known works in this medium is a set of 50 etchings of Venice, produced over a period of 14 months spent in the city in 1879–80.
Whistler saw considerable parallels between art and music and took to giving his paintings musical titles. This even extended to portraits — such as that of his mother, Arrangement in Grey and Black No. 1, which today is found in the Musée d'Orsay in Paris.
He was named as the first president of the International Society of Sculptors, Painters and Gravers in 1898. Whistler died five years later, aged 69.
In 2000, his painting Harmony in Grey, Chelsea in Ice sold for $2,866,000 at Christie’s — setting a record for the highest price paid for a work by Whistler at auction.
JAMES ABBOTT MCNEILL WHISTLER (1834-1903)
Nocturne, from First Venice Set
JAMES ABBOTT MCNEILL WHISTLER (1834-1903)
The Two Doorways, from First Venice Set
JAMES ABBOTT MCNEILL WHISTLER (1834-1903)
Draped Figure, reclining
JAMES MCNEILL WHISTLER (1834-1903)
Whistler Smoking
James McNeill Whistler (1834-1903)
Figures in a Doorway
James McNeill Whistler (1834-1903)
Fondamente dei Mori
James McNeill Whistler (1834-1903)
Howth Head, near Dublin
JAMES MCNEILL WHISTLER (1834-1903)
Howth Head, Near Dublin
James McNeill Whistler (1834-1903)
St Ives: The Beach
James McNeill Whistler (1834-1903)
Zuyder Zee
JAMES MCNEILL WHISTLER (1834-1903)
The Long House (The Dyers, Amsterdam)
JAMES MCNEILL WHISTLER (1834-1903)
The Steps, Amsterdam
James McNeill Whistler (1834-1903)
Design for a Fan
JAMES MCNEILL WHISTLER (1834-1903)
Nocturne: Palaces
JAMES MCNEILL WHISTLER (1834-1903)
Bridge, Amsterdam
James McNeill Whistler (1834-1903)
Venetian Courtyard
JAMES ABBOTT MCNEILL WHISTLER, P.S.B.A. (AMERICAN, 1834-1903)
Chelsea Shopfronts
JAMES MCNEILL WHISTLER (1834-1903)
The Embroidered Curtain
JAMES MCNEILL WHISTLER (1834-1903)
The Dyer
JAMES MCNEILL WHISTLER (1834-1903)
Bridge, Amsterdam
James Abbott McNeill Whistler (1834-1903)
View in Venice, Looking toward the Molo
James Abbott McNeill Whistler (1834-1903)
Weary (Kennedy 92)
James Abbott McNeill Whistler (1834-1903)
Yellow House, Lannion
JAMES ABBOTT MCNEILL WHISTLER
Nocturne: Palaces, from Twenty-Six Etchings (K. 202)
JAMES ABBOTT MCNEILL WHISTLER
The Doorway, from Twelve Etchings (K. 188)
James Abbott McNeill Whistler
The Doorway, from: The First Venice Set (K. 188)
JAMES ABBOTT MCNEILL WHISTLER
Fanny Leyland (K. 108)
JAMES MCNEILL WHISTLER
The Two Doorways, from Twelve Etchings (K. 193)
JAMES ABBOTT MCNEILL WHISTLER
The Two Doorways, from Twelve Etchings (K. 193)
JAMES MCNEILL WHISTLER
The Palaces (K. 187)
James Abbott McNeill Whistler
Upright Venice, from: The Second Venice Set (K. 205)
James McNeill Whistler (1834-1903)
Santa Maria della Salute, Venice
James Abbott McNeill Whistler (1834-1903)
Penthouse of the Public House in St. Ives, Cornwall
JAMES ABBOTT MCNEILL WHISTLER (1834-1903)
Portrait of the Artist
James Abbott McNeill Whistler
The Palaces , from Venice, a Series of Twelve Etchings (K. 187)
JAMES MCNEILL WHISTLER (1834-1903)
The Doorway, from Venice, a Series of Twelve Etchings
JAMES ABBOTT MCNEILL WHISTLER (1834-1903)
The Palaces, from the First Venice Set (Glasgow 223; Kennedy 187)
James Abbott McNeill Whistler
San Biagio , from Twenty Six Etchings (K. 197)
James Abbott McNeill Whistler
The Riva, No. 2, from: The Second Venice Set (K. 206)
James Abbott McNeill Whistler
The Garden, from: The Second Venice Set (K. 210)
James Abbott McNeill Whistler
Church, Brussels (L. 356)
James Abbott McNeill Whistler
Two Ships (K. 148)
James Abbott McNeill Whistler (1834-1903)
The Bridge (Kennedy 204)
James Abbott McNeill Whistler
The Riva I , from Venice, a Series of Twelve Etchings (K. 192)
James Abbott McNeill Whistler
The Little Lagoon (K. 186)
JAMES MCNEILL WHISTLER (1834-1903)
The Doorway, from Venice, a Series of Twelve Etchings
James Abbott McNeill Whistler
Venus (K. 59)