The great 17th-centuy Italian painter Guido Reni was a master of the religious subject par excellence. He was celebrated during his lifetime for his graceful, classical style characterised by refined colours, soft modelling and a gentle emotional sensibility inspired by Raphael.
Reni was born in 1575 in Bologna. He trained in the Bolognese workshop of the influential painter Denys Calvaert, where Reni was exposed to the advantages of using copper plates, whose smooth, reflective surfaces allowed the painter to achieve a luminous, porcelain-like finish. Reni late joined the Accademia degli Incamminati led by Ludovico Carracci.
The painter’s reputation grew, earning him numerous important commissions in Rome, where he was summoned in 1601 by Cardinal Emilio Sfondrati (1560–1618), nephew of Pope Gregory XIV. Between 1602 and 1613, he spent time in Rome where he was reported to have met Caravaggio and produced many of his best-known works, such as Crucifixion of St Peter (1604–05) for Cardinal Pietro Aldobrandini. Among other works painted during this time is his fresco masterpiece L’Aurora. Painted between 1613 and 1614 for the Casino dell’Aurora, a garden house adjacent to the Palazzo Pallavicni-Rospigliosi, the fresco was commissioned by Cardinale Scipione Borghese.
Reni returned to Bologna around 1613 and 1614, where he would be based until his death in 1642. He established a successful studio, continuing to receive commissions and producing iconic works including Saint Dominic in Glory (1613–15) for the Basilica of San Domenico, Saint Sebastian (c.1615) — one of his most reproduced works — and Atalanta and Hippomenes (1620–25; National Musem of Capodimonte, Naples).
Through his studios, Reni fostered nearly 200 pupils, helping the artist establish a wide-ranging influence on the late Baroque period. Some of his most distinguished pupils included Simone Cantarini, called il Pesarese. Reni’s works now belong in the collections of the Louvre in Paris, the Prado Museum in Madrid, the National Gallery in London and major institutions around the world.
GUIDO RENI (BOLOGNA 1575-1642)
The Martyrdom of Saint Apollonia
Guido Reni (Bologna 1575-1642)
Allegory of Fortune, holding a crown
Guido Reni (Bologna 1575-1642)
The Rest on the Flight into Egypt
Guido Reni (Bologna 1575-1642)
Christ Crowned with Thorns
GUIDO RENI (BOLOGNA 1575-1642)
The Penitent Magdalene
Attributed to Guido Reni (Bologna 1575-1642)
The Penitent Mary Magdalene
Guido Reni (Bologna 1574-1642)
Roman Charity
Guido Reni (Bologna 1574-1642)
Hercules with his club
Guido Reni (Bologna 1575-1642)
Saint Petronius looking up to the right
Studio of Guido Reni (Bologna 1575-1642)
Salome with the Head of John the Baptist
AFTER GUIDO RENI
The sermon of Saint John the Baptist
Studio of Guido Reni (Bologna 1575-1642)
Saint Joseph
Studio of Guido Reni (Bologna 1575-1642)
The Penitent Mary Magdalene
Da Guido Reni
Martirio di Sant'Andrea
Guido Reni (Bologna 1575-1642)
The Madonna and Child adored by Saint Andrew and a female saint
STUDIO OF GUIDO RENI (BOLOGNA 1575-1642)
Christ crowned with thorns
Studio of Guido Reni (Bologna 1575-1642)
Saint John the Evangelist
Circle of Guido Reni (Bologna 1575-1642)
Saint Joseph holding the Christ Child
Circle of Guido Reni (Bologna 1575-1642)
The Madonna
Studio of Guido Reni (Bologna 1575-1642)
The Penitent Magdalene
Guido Reni (Bologna 1575-1642)
Cupid pleading with Venus for his bow and arrows
Studio of Guido Reni (Bologna 1575-1642)
The Guardian Angel
Emilian School, 17th Century
Head of a bearded man
Guido Reni (Bologna 1575-1642)
Portrait of the artist, bust-length, in black, a collar and a wide-brimmed hat
After Guido Reni
Scenes from the life of Hercules, en brunaille (two illustrated)
School of Sicily, 17th Century
Saint Barbara surrounded by Angels
Circle of Rutilio Manetti (Siena 1571-1639)
Cupid sleeping
Giovanni Francesco Bezzi, Il Nosadella (Bologna (?) ca. 1500–1571 Bologna)
Saint Jerome ( recto ); Sketches ( verso )
After Guido Reni
Aurora
Circle of GUIDO RENI (Bologna 1575-1642)
The Virgin and Child with the infant Saint John the Baptist
After Guido Reni
Cleopatra
Circle of Guido Reni (Bologna 1575-1642)
The Penitent Magdalene
After Guido Reni
Portrait of a girl, said to be Beatrice Cenci, bust-length, in a white headdress
Follower of Guido Reni
The Madonna
After Guido Reni
Mary Magdalene in the desert
After Guido Reni
The Death of Cleopatra
Attributed to Guido Reni (Bologna 1575-1642)
Head of a man
Follower of Guido Reni
Lucretia
Attributed to Guido Reni (Bologna 1575-1642)
A prowling lion
Follower of Guido Reni
The Madonna and Child
Follower of Guido Reni
The Crucified Christ
Bolognese School, early 17th Century
Cupid bound to a tree
Italian School, 17th Century
Saint Paul the Hermit fed by a Raven
North Italian School, 17th Century
Mary Magdalene
After Guido Reni
A Sybil
After Guido Reni
Ecce Homo, in a feigned oval
CIRCLE OF GUIDO RENI (BOLOGNA 1575-1642)
The Penitent Magdalene