CAMILLE PISSARRO (FRENCH, 1830-1903)

LE LABOUR à ERAGNY

细节

CAMILLE PISSARRO (FRENCH, 1830-1903)
LE LABOUR à ERAGNY
WITH THE STAMPED INITIALS (LOWER RIGHT)
OIL ON PANEL
6.1/8 X 9¼ IN. (15.6 X 23.5 CM.)
PAINTED CIRCA 1886

来源

LUCIEN PISSARRO, LONDON.
MARLBOROUGH FINE ART, LONDON (NO. 03027).
DONALD AND JEAN STRALEM, NEW YORK.

出版

L. R. PISSARRO AND L. VENTURI, CAMILLE PISSARRO, SON ART - SON OEUVRE, VOL. I, PARIS, 1939, NO. 706, P. 180 (ILLUSTRATED VOL. II, PL. 147).

展览

LONDON, MARLBOROUGH FINE ART LIMITED, FRENCH LANDSCAPE, 1961, NO. 31.
NEW YORK, THE METROPOLITAN MUSEUM OF ART, 1990, ON LOAN.
NEW YORK, THE METROPOLITAN MUSEUM OF ART, NEO-IMPRESSIONISM: THE FRIENDS AND FOLLOWERS OF GEORGES SEURAT, SEPT. 1991-JAN. 1992.

拍品专文

THE YEARS IMMEDIATELY FOLLOWING THE NEO-IMPRESSIONIST EXHIBITION OF 1885 AT THE SALON DES INDéPENDANTS WERE A PERIOD OF ARTISTIC EVOLUTION FOR PISSARRO IN WHICH HE UNDERWENT A 'PROCESS OF TRANSFORMATION'. IT WAS DURING THIS TIME THAT HE ADOPTED THE NEO-IMPRESSIONISTIC TECHNIQUE OF POINTILLISM, A STYLE WHICH HE CONTINUED TO EMBRACE AND DEVELOP THROUGHOUT HIS CAREER.