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Property from an Important Private German Collection
JACKSON POLLOCK (1912-1956)
Untitled (Red Painting 1-7) [7 Works]
Details
JACKSON POLLOCK (1912-1956)
Untitled (Red Painting 1-7) [7 Works]
(i) Untitled (Red Painting 1)
oil and enamel on canvas
20 x 8 in. (50.9 x 20.4 cm.)
(ii) Untitled (Red Painting 2)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil and enamel on canvas
20 ½ x 11 7⁄8 in. (52.3 x 30.1 cm.)
(iii) Untitled (Red Painting 3)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil and enamel on canvas
20 ½ x 11 7⁄8 in. (52.2 x 30.2 cm.)
(iv) Untitled (Red Painting 4)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil on canvas
20 5⁄8 x 11 7⁄8 in. (52.4 x 30.2 cm.)
(v) Untitled (Red Painting 5)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil and enamel on canvas
20 ½ x 11 7⁄8 in. (52.3 x 30.1 cm.)
(vi) Untitled (Red Painting 6)
oil and enamel on canvas
20 5⁄8 x 11 7⁄8 in. (52.5 x 30.2 cm.)
(vii) Untitled (Red Painting 7)
oil and enamel on canvas
21 x 13 in. (53.6 x 33.2 cm.)
Painted circa 1950
Untitled (Red Painting 1-7) [7 Works]
(i) Untitled (Red Painting 1)
oil and enamel on canvas
20 x 8 in. (50.9 x 20.4 cm.)
(ii) Untitled (Red Painting 2)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil and enamel on canvas
20 ½ x 11 7⁄8 in. (52.3 x 30.1 cm.)
(iii) Untitled (Red Painting 3)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil and enamel on canvas
20 ½ x 11 7⁄8 in. (52.2 x 30.2 cm.)
(iv) Untitled (Red Painting 4)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil on canvas
20 5⁄8 x 11 7⁄8 in. (52.4 x 30.2 cm.)
(v) Untitled (Red Painting 5)
inscribed by Lee Krasner 'Jackson Pollock 1950 Lee Krasner Pollock 10-58' (on the reverse)
oil and enamel on canvas
20 ½ x 11 7⁄8 in. (52.3 x 30.1 cm.)
(vi) Untitled (Red Painting 6)
oil and enamel on canvas
20 5⁄8 x 11 7⁄8 in. (52.5 x 30.2 cm.)
(vii) Untitled (Red Painting 7)
oil and enamel on canvas
21 x 13 in. (53.6 x 33.2 cm.)
Painted circa 1950
Provenance
(i) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(ii) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(iii) Sidney Janis Gallery, New York (on consignment, by 1958).
Mr. and Mrs. S. Brooks Barron, Detroit (by 1970).
Heiner Bastian, Berlin.
Acquired from the above by the present owner, 1992.
(iv) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(v) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Private collection (acquired from the above).
Heiner Bastian, Berlin.
Acquired from the above by the present owner, 1992.
(vi) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(vii) Estate of the artist.
Lee Krasner, New York.
Marlborough Fine Art Ltd., London (acquired from the above, January 1961).
Toninelli Arte Moderna, Milan (acquired from the above, February 1963).
Private collection, Varese (by 1978).
Private collection, Germany.
Anon. sale, Christie's, New York, 9 November 1988, lot 45 (illustrated upside down).
Peder Bonnier Inc., New York (acquired at the above sale).
Heiner Bastian, Berlin (probably acquired from the above).
Acquired from the above by the present owner, 1992.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(ii) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(iii) Sidney Janis Gallery, New York (on consignment, by 1958).
Mr. and Mrs. S. Brooks Barron, Detroit (by 1970).
Heiner Bastian, Berlin.
Acquired from the above by the present owner, 1992.
(iv) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(v) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Private collection (acquired from the above).
Heiner Bastian, Berlin.
Acquired from the above by the present owner, 1992.
(vi) Estate of the artist.
Lee Krasner, New York.
Pollock-Krasner Foundation, New York (bequeathed from the above).
Jason McCoy Inc., New York (on consignment from the above, 1988).
Heiner Bastian, Berlin (acquired from the above, 1989).
Acquired from the above by the present owner, 1992.
(vii) Estate of the artist.
Lee Krasner, New York.
Marlborough Fine Art Ltd., London (acquired from the above, January 1961).
Toninelli Arte Moderna, Milan (acquired from the above, February 1963).
Private collection, Varese (by 1978).
Private collection, Germany.
Anon. sale, Christie's, New York, 9 November 1988, lot 45 (illustrated upside down).
Peder Bonnier Inc., New York (acquired at the above sale).
Heiner Bastian, Berlin (probably acquired from the above).
Acquired from the above by the present owner, 1992.
Literature
Jackson Pollock, exh. cat., New York, Sidney Janis Gallery, 1952, n.p. (ii-v illustrated).
F.V. O'Connor and E.V. Thaw, eds., Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings, and Other Works, Volume 1: Paintings, 1930-1947, New Haven, 1978, n.p., pl. 35 (iv illustrated).
F.V. O'Connor and E.V. Thaw, eds., Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948-1955, New Haven, 1978, pp. 122-123, nos. 303-309 (iv illustrated; i-iii and v-vii illustrated upside down).
R. Holmberg, "The Third Mind" in Impressions: The Journal of the Japanese Art Society of America, no. 31, 2010, p. 144 (iv illustrated; i-iii and v-vii illustrated upside down; titled Seven Red Paintings).
N. Jachec, Jackson Pollock: Works, Writings, Interviews, Barcelona, 2011, pp. 122-124 (iv illustrated; i-iii and v-vii illustrated upside down).
T. Oshima, et al., Jackson Pollock: A Centennial Retrospective, exh. cat., Nagoya, Aichi Prefectural Museum of Art, 2011, pp. 19-20, fig. 8 (iv illustrated; i-iii and v-vii illustrated upside down).
J. Kantor, "First Among Sequels: Jackson Pollock’s Late Work" in Artforum, vol. 54, no. 7, March 2016, p. 244.
F.V. O'Connor and E.V. Thaw, eds., Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings, and Other Works, Volume 1: Paintings, 1930-1947, New Haven, 1978, n.p., pl. 35 (iv illustrated).
F.V. O'Connor and E.V. Thaw, eds., Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948-1955, New Haven, 1978, pp. 122-123, nos. 303-309 (iv illustrated; i-iii and v-vii illustrated upside down).
R. Holmberg, "The Third Mind" in Impressions: The Journal of the Japanese Art Society of America, no. 31, 2010, p. 144 (iv illustrated; i-iii and v-vii illustrated upside down; titled Seven Red Paintings).
N. Jachec, Jackson Pollock: Works, Writings, Interviews, Barcelona, 2011, pp. 122-124 (iv illustrated; i-iii and v-vii illustrated upside down).
T. Oshima, et al., Jackson Pollock: A Centennial Retrospective, exh. cat., Nagoya, Aichi Prefectural Museum of Art, 2011, pp. 19-20, fig. 8 (iv illustrated; i-iii and v-vii illustrated upside down).
J. Kantor, "First Among Sequels: Jackson Pollock’s Late Work" in Artforum, vol. 54, no. 7, March 2016, p. 244.
Exhibited
New York, Sidney Janis Gallery, Jackson Pollock, November 1958, n.p., nos. 45-48 (ii-v exhibited and titled Red Panel A-D; iii illustrated upside down with inverted colors on the front cover).
London, Marlborough Fine Art Ltd., Jackson Pollock: Paintings, Drawings and Watercolors from the Collection of Lee Krasner Pollock, June 1961, n.p., no. 51 (vii exhibited and illustrated; dated 1950 and titled Red Painting).
Düsseldorf, Kunstverein für die Rheinlande und Westfalen and Kunsthaus Zürich, Jackson Pollock, September-November 1961, n.p., no. 84 (Düsseldorf, vii exhibited and illustrated; dated 1950 and titled Red Painting) and pp. 55 and 69, no. 91, pl. 9 (Zürich, vii exhibited and illustrated; dated 1950 and titled Rotes Bild).
Rome, Marlborough Galleria d'Arte and Milan, Toninelli Arte Moderna, Jackson Pollock, October-December 1962, n.p., no. 52 (vii exhibited and illustrated; dated 1950 and titled Red Painting).
Buffalo, The Albright-Knox Gallery; The Dayton Art Institute and The Cleveland Museum of Art, Color and Field: 1890-1970, September 1970-March 1971, n.p., fig. 1 (iii exhibited and illustrated upside down; dated 1950 and titled Part of a Polyptych).
New York, Jason McCoy Inc., Jackson Pollock: Images Coming Through, November-December 1988, n.p., nos. 11-15 (i-ii and iv-vi exhibited and titled incorrectly; ii illustrated upside down).
Berlin, Heiner Bastian Fine Art, Picasso, Léger, Brancusi, Pollock, Schwitters, Twombly, Warhol, 1994, pp. 14-15, no. 7 (all exhibited and illustrated; iv illustrated; i-iii and v-vii illustrated upside down; titled Seven Red Paintings).
New York, The Museum of Modern Art and London, Tate Gallery, Jackson Pollock, November 1998-June 1999, pp. 282 and 334, pls. 184-190 (all exhibited; iv illustrated; i-iii and v-vii illustrated upside down).
New York, Solomon R. Guggenheim Museum, The Third Mind: American Artists Contemplate Asia, 1860-1989, January-April 2009, pp. 174-175, pl. 63 (all exhibited; iv illustrated; i-iii and v-vii illustrated upside down).
Berlin, Galerie Bastian, Hommage à Cy Twombly – Warhol, Beuys, Pollock, Kiefer, Rauschenberg, Flavin, Stibbon, Baselitz, Marden, Merz, Long, November 2012-February 2013, n.p. (all exhibited and illustrated on the front and back covers; iv illustrated; i-iii and v-vii illustrated upside down; titled Seven Red Paintings).
London, Marlborough Fine Art Ltd., Jackson Pollock: Paintings, Drawings and Watercolors from the Collection of Lee Krasner Pollock, June 1961, n.p., no. 51 (vii exhibited and illustrated; dated 1950 and titled Red Painting).
Düsseldorf, Kunstverein für die Rheinlande und Westfalen and Kunsthaus Zürich, Jackson Pollock, September-November 1961, n.p., no. 84 (Düsseldorf, vii exhibited and illustrated; dated 1950 and titled Red Painting) and pp. 55 and 69, no. 91, pl. 9 (Zürich, vii exhibited and illustrated; dated 1950 and titled Rotes Bild).
Rome, Marlborough Galleria d'Arte and Milan, Toninelli Arte Moderna, Jackson Pollock, October-December 1962, n.p., no. 52 (vii exhibited and illustrated; dated 1950 and titled Red Painting).
Buffalo, The Albright-Knox Gallery; The Dayton Art Institute and The Cleveland Museum of Art, Color and Field: 1890-1970, September 1970-March 1971, n.p., fig. 1 (iii exhibited and illustrated upside down; dated 1950 and titled Part of a Polyptych).
New York, Jason McCoy Inc., Jackson Pollock: Images Coming Through, November-December 1988, n.p., nos. 11-15 (i-ii and iv-vi exhibited and titled incorrectly; ii illustrated upside down).
Berlin, Heiner Bastian Fine Art, Picasso, Léger, Brancusi, Pollock, Schwitters, Twombly, Warhol, 1994, pp. 14-15, no. 7 (all exhibited and illustrated; iv illustrated; i-iii and v-vii illustrated upside down; titled Seven Red Paintings).
New York, The Museum of Modern Art and London, Tate Gallery, Jackson Pollock, November 1998-June 1999, pp. 282 and 334, pls. 184-190 (all exhibited; iv illustrated; i-iii and v-vii illustrated upside down).
New York, Solomon R. Guggenheim Museum, The Third Mind: American Artists Contemplate Asia, 1860-1989, January-April 2009, pp. 174-175, pl. 63 (all exhibited; iv illustrated; i-iii and v-vii illustrated upside down).
Berlin, Galerie Bastian, Hommage à Cy Twombly – Warhol, Beuys, Pollock, Kiefer, Rauschenberg, Flavin, Stibbon, Baselitz, Marden, Merz, Long, November 2012-February 2013, n.p. (all exhibited and illustrated on the front and back covers; iv illustrated; i-iii and v-vii illustrated upside down; titled Seven Red Paintings).
Presentado por
Paige Kestenman
Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale