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The William I. Koch Collection
CLAUDE MONET (1840-1926)
Champ d'avoine et coquelicots
Details
CLAUDE MONET (1840-1926)
Champ d'avoine et coquelicots
signed and dated 'Claude Monet 90' (lower left)
oil on canvas
28 ¾ x 36 3⁄8 in. (73 x 92.4 cm.)
Painted in 1890
Champ d'avoine et coquelicots
signed and dated 'Claude Monet 90' (lower left)
oil on canvas
28 ¾ x 36 3⁄8 in. (73 x 92.4 cm.)
Painted in 1890
Provenance
Galerie Durand-Ruel et Cie., Paris and New York (acquired from the artist, 31 October 1890).
Alfred Atmore Pope, Farmington, Connecticut and Cleveland (acquired from the above, 19 January 1891, then by descent, until at least January 1943).
Caroll Carstairs Gallery, New York.
Ogden and Lillian Phipps, New York and Palm Beach (by April 1945).
Acquavella Galleries, Inc., New York (acquired from the above, 1985).
Acquired from the above by the present owner, April 1985.
Alfred Atmore Pope, Farmington, Connecticut and Cleveland (acquired from the above, 19 January 1891, then by descent, until at least January 1943).
Caroll Carstairs Gallery, New York.
Ogden and Lillian Phipps, New York and Palm Beach (by April 1945).
Acquavella Galleries, Inc., New York (acquired from the above, 1985).
Acquired from the above by the present owner, April 1985.
Literature
Letter from C. Monet to P. Durand-Ruel, 27 October 1890.
P.H., "L'exposition de Monet à l'Union League Club, New York" in L'Art Dans Le Deux Mondes, vol. 1, no. 15, 28 February 1891, p. 173.
J. La Farge and A.F. Jaccaci, Noteworthy Paintings in American Private Collections, New York, 1907, p. 276.
L. Venturi, Les archives de l'impressionnisme, Paris, 1939, vol. I, p. 333, no. 183.
L. Degand and D. Rouart, Claude Monet, Geneva, 1958, pp. 82 and 129 (illustrated).
M. and G. Blunden, Impressionists and Impressionism, New York, 1970, pp. 122 and 237 (illustrated).
D. Wildenstein, Claude Monet: Biographie et catalogue raisonné, Lausanne, 1979, vol. III, pp. 134-135, no. 1257 and p. 259, letter 1079 (illustrated).
P.H. Tucker, Monet in the '90s: The Series Paintings, New York, 1989, p. 273, footnote 13.
P.H. Tucker, Claude Monet: Life and Art, New Haven, 1995, p. 138, no. 158 (illustrated).
D. Wildenstein, Monet: Catalogue raisonné, Cologne, 1996, vol. III, p. 479, no. 1257 (illustrated).
J. Carlson, ''Bordeaux, Boats and Botero'' in Antiques and Fine Art, 2003 (illustrated).
J.F. O'Gorman, ed., Hill-Stead: The Country Place of Theodate Pope Riddle, New York, 2010, pp. 95-96 (illustrated in situ in Pope's home).
H. Chomos, "The collecting practices of Alfred Pope and Harris Whittemore" in Journal of the History of Collections, vol. 38, no. 1, 2026, p. 95, fig. 5 (illustrated in situ in Pope's home).
P.H., "L'exposition de Monet à l'Union League Club, New York" in L'Art Dans Le Deux Mondes, vol. 1, no. 15, 28 February 1891, p. 173.
J. La Farge and A.F. Jaccaci, Noteworthy Paintings in American Private Collections, New York, 1907, p. 276.
L. Venturi, Les archives de l'impressionnisme, Paris, 1939, vol. I, p. 333, no. 183.
L. Degand and D. Rouart, Claude Monet, Geneva, 1958, pp. 82 and 129 (illustrated).
M. and G. Blunden, Impressionists and Impressionism, New York, 1970, pp. 122 and 237 (illustrated).
D. Wildenstein, Claude Monet: Biographie et catalogue raisonné, Lausanne, 1979, vol. III, pp. 134-135, no. 1257 and p. 259, letter 1079 (illustrated).
P.H. Tucker, Monet in the '90s: The Series Paintings, New York, 1989, p. 273, footnote 13.
P.H. Tucker, Claude Monet: Life and Art, New Haven, 1995, p. 138, no. 158 (illustrated).
D. Wildenstein, Monet: Catalogue raisonné, Cologne, 1996, vol. III, p. 479, no. 1257 (illustrated).
J. Carlson, ''Bordeaux, Boats and Botero'' in Antiques and Fine Art, 2003 (illustrated).
J.F. O'Gorman, ed., Hill-Stead: The Country Place of Theodate Pope Riddle, New York, 2010, pp. 95-96 (illustrated in situ in Pope's home).
H. Chomos, "The collecting practices of Alfred Pope and Harris Whittemore" in Journal of the History of Collections, vol. 38, no. 1, 2026, p. 95, fig. 5 (illustrated in situ in Pope's home).
Exhibited
New York, The Union League Club, Exhibition of Paintings by Old Masters, and Modern Foreign and American Artists, Together with an Exhibition of the Work of Monet the Impressionist, February 1891, p. 16, no. 57 (titled The Oatfield).
New York, Wildenstein & Co. Inc., A Loan Exhibition of Paintings by Claude Monet for the Benefit of the Children of Giverny, April-May 1945, pp. 48-49, no. 58 (illustrated).
Wichita Art Museum, European and American Masterpieces from the William I. Koch Collection, September-November 1992 (illustrated).
Wichita Art Museum, A Personal Gathering: Paintings and Sculpture from the Collection of William I. Koch, February-May 1996, pp. 72-73, no. 31 (illustrated).
Boston, Museum of Fine Arts, Things I Love: The Many Collections of William I. Koch, August-November 2005, p. 60 (illustrated).
Farmington, Connecticut, Hill-Stead Museum, Alfred Pope: An Evolution of Ingenuity, December 2022-June 2023, pp. 62 and 127 (illustrated).
New York, Wildenstein & Co. Inc., A Loan Exhibition of Paintings by Claude Monet for the Benefit of the Children of Giverny, April-May 1945, pp. 48-49, no. 58 (illustrated).
Wichita Art Museum, European and American Masterpieces from the William I. Koch Collection, September-November 1992 (illustrated).
Wichita Art Museum, A Personal Gathering: Paintings and Sculpture from the Collection of William I. Koch, February-May 1996, pp. 72-73, no. 31 (illustrated).
Boston, Museum of Fine Arts, Things I Love: The Many Collections of William I. Koch, August-November 2005, p. 60 (illustrated).
Farmington, Connecticut, Hill-Stead Museum, Alfred Pope: An Evolution of Ingenuity, December 2022-June 2023, pp. 62 and 127 (illustrated).
Presentado por
Paige Kestenman
Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale