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Herbert Lust: Collector, Scholar, Friend
HANS BELLMER (1902-1975)
Jointure de boules (La Poupée)
Details
HANS BELLMER (1902-1975)
Jointure de boules (La Poupée)
signed 'Bellmer.' (lower right)
painted wood, glass eye and tulle assemblage on printed paper laid down on panel in the artist's frame
20 5⁄8 x 17 7⁄8 in. (52.3 x 45.5 cm.) including artist's frame
Executed in 1934-1936
Jointure de boules (La Poupée)
signed 'Bellmer.' (lower right)
painted wood, glass eye and tulle assemblage on printed paper laid down on panel in the artist's frame
20 5⁄8 x 17 7⁄8 in. (52.3 x 45.5 cm.) including artist's frame
Executed in 1934-1936
Provenance
Charles Ratton, Paris (acquired from the artist, 1936, until at least March 1978).
John Armbruster, Paris and Brussels.
Daniel Filipacchi, Paris.
Acquired from the above by the late owner, 29 January 2000.
John Armbruster, Paris and Brussels.
Daniel Filipacchi, Paris.
Acquired from the above by the late owner, 29 January 2000.
Literature
S. Wilson, "Current and Forthcoming Exhibitions: 'Dada and Surrealism Reviewed' at the Hayward Gallery" in The Burlington Magazine, vol. CXX, no. 900, March 1978, p. 184, no. 78 (illustrated).
P. Webb and R. Short, Hans Bellmer, London, 1985, pp. 69-70 and 72, figs. 71-72 (illustrated; illustrated again in situ in the 1936 exhibition).
S. Taylor, Hans Bellmer: The Anatomy of Anxiety, Cambridge, 2000, pp. 128-129, pl. 6.13 (illustrated; illustrated again on the cover).
P. Webb and R. Short, Hans Bellmer, London, 1985, pp. 69-70 and 72, figs. 71-72 (illustrated; illustrated again in situ in the 1936 exhibition).
S. Taylor, Hans Bellmer: The Anatomy of Anxiety, Cambridge, 2000, pp. 128-129, pl. 6.13 (illustrated; illustrated again on the cover).
Exhibited
Paris, Galerie Charles Ratton, Exposition surréaliste d'objets, May 1936.
London, Hayward Gallery, Dada and Surrealism Reviewed, January-March 1978, pp. 294-295, no. 12.3 (illustrated).
New York, Isidore Ducasse Fine Arts, Hans Bellmer, May-October 1990, p. 46 (illustrated).
New York, Solomon R. Guggenheim Museum, Surrealism: Two Private Eyes, The Nesuhi Ertegun and Daniel Filipacchi Collections, June-September 1999, vol. I, p. 339, no. 257 (illustrated).
New York, International Center of Photography, Behind Closed Doors: The Art of Hans Bellmer, March-June 2001, pp. 52 and 163, pl. 6 (illustrated).
Paris, Musée national d'art moderne, Centre Georges Pompidou, La révolution surrealiste, March-June 2002, p. 245 (illustrated).
Paris, Musée national d'art moderne, Centre Georges Pompidou; Munich, Staatliche Graphische Sammlung and London, Whitechapel Gallery, Hans Bellmer, March-November 2006, pp. 36, 100-101 and 262, no. 29 (illustrated).
Vancouver Art Gallery, The Colour of My Dreams: The Surrealist Revolution in Art, May-October 2011, pp. 287 and 318 (illustrated).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Marvelous Objects: Surrealist Sculptures from Paris to New York, October 2015-February 2016, p. 183, fig. 83 (illustrated).
London, Hayward Gallery, Dada and Surrealism Reviewed, January-March 1978, pp. 294-295, no. 12.3 (illustrated).
New York, Isidore Ducasse Fine Arts, Hans Bellmer, May-October 1990, p. 46 (illustrated).
New York, Solomon R. Guggenheim Museum, Surrealism: Two Private Eyes, The Nesuhi Ertegun and Daniel Filipacchi Collections, June-September 1999, vol. I, p. 339, no. 257 (illustrated).
New York, International Center of Photography, Behind Closed Doors: The Art of Hans Bellmer, March-June 2001, pp. 52 and 163, pl. 6 (illustrated).
Paris, Musée national d'art moderne, Centre Georges Pompidou, La révolution surrealiste, March-June 2002, p. 245 (illustrated).
Paris, Musée national d'art moderne, Centre Georges Pompidou; Munich, Staatliche Graphische Sammlung and London, Whitechapel Gallery, Hans Bellmer, March-November 2006, pp. 36, 100-101 and 262, no. 29 (illustrated).
Vancouver Art Gallery, The Colour of My Dreams: The Surrealist Revolution in Art, May-October 2011, pp. 287 and 318 (illustrated).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Marvelous Objects: Surrealist Sculptures from Paris to New York, October 2015-February 2016, p. 183, fig. 83 (illustrated).
Further Details
Rodica Aldoux has confirmed the authenticity of this work.
Presentado por
Paige Kestenman
Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale