JAN VAN DE VELDE II (CIRCA 1593-1641)
PRINTS FROM THE PERSONAL COLLECTION OF THE LATE CHRISTOPHER MENDEZ
JAN VAN DE VELDE II (CIRCA 1593-1641)

The Sorceress

细节
JAN VAN DE VELDE II (CIRCA 1593-1641)
The Sorceress
etching with engraving
1626
on laid paper, without watermark
a fine impression of the second state (of three)
trimmed to the subject on three sides and just on the platemark below
a vertical central fold, some short nicks at the sheet edges
generally in good condition
Sheet 214 x 286 mm.
来源
Christopher Mendez (1943-2025), London; then by descent to present owners.
出版
Franken & van der Kellen 114; Hollstein 152
A. Griffiths (ed.), Landmarks in Print Collecting: Connoisseurs and Donors at the British Museum since 1753, London, 1996, no. 22, pp. 79-81 (another impression ill.).
展览
Bristol, Bristol Museum and Art Gallery, Under the Cover or Darkness: Night Prints, October-November 1986; then Durham, DLI Museum and Arts Centre, November-December 1986; then Sheffield, Sheffield Graves Art Gallery, January-February 1987, no. 68 (ill.), p. 31.

荣誉呈献

Stefano Franceschi
Stefano Franceschi Specialist

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拍品专文

The Latin text underneath this very imaginative and amusing, though ostensibly moralising image reads in English: 'How many evils desire leads to, when checked by no limit; and how, with its sweet song, it leads even the purest minds of mortals into every fury. But how quickly we are deceived. Death takes over the brief pleasure of a brief life, and the small moment of laughter gives way to an eternity of grief' (see Griffiths, p. 79). There appears to be a certain disconnect between the life of pleasure the text is condemning and the depiction of witchcraft, yet upon closer observation, the monsters summoned by the voluptuous Sorceress's magic indulge in various addictions, including gambling, drinking and smoking.
This is a delightful print, both for its depiction of nocturnal light effects and for the little party of fantastical creatures van de Velde has conjured up here.

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