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PRINTS FROM THE PERSONAL COLLECTION OF THE LATE CHRISTOPHER MENDEZ
JAN SAENREDAM (1565-1607) AFTER HENDRICK GOLTZIUS (1558-1617)
Market Scene with erotic Overtones
细节
JAN SAENREDAM (1565-1607) AFTER HENDRICK GOLTZIUS (1558-1617)
Market Scene with erotic Overtones
engraving
circa 1600, published in 1615
on laid paper, watermark Coat of Arms of Burgundy Austria (similar to Laurentius 151-164a)
a very fine impression of the first state (of two), printing very strongly and richly
trimmed on the platemark, with a narrow margin below, generally in very good condition;
together with La Boutique du Pâtissier, Plate 7 from: Les Métiers, by Abraham Bosse (1602-1678)
etching and engraving
circa 1632-33
on laid paper, watermark small Fleur-de-lys with Bunch of Grapes and Letters (similar to Heawood 2329)
a very fine impression
trimmed to or inside the platemark, with a fillet of blank paper all around
the tip of the lower right corner made up, a few small rust marks, generally in good condition;
and The Personification of the Lustful Man, from Philosophia Practica, a book of emblems, published by Jakob von Zetter, Frankfurt, 1624
on laid paper, without watermark
a fine impression, printing with guidelines on the text
trimmed inside the platemark
a small stain, generally in very good condition
Sheet 197 x 235 mm. (Saenredam)
Sheet 263 x 337 mm. (Bosse)
Sheet 87 x 106 mm. (Zetter)(3)
Market Scene with erotic Overtones
engraving
circa 1600, published in 1615
on laid paper, watermark Coat of Arms of Burgundy Austria (similar to Laurentius 151-164a)
a very fine impression of the first state (of two), printing very strongly and richly
trimmed on the platemark, with a narrow margin below, generally in very good condition;
together with La Boutique du Pâtissier, Plate 7 from: Les Métiers, by Abraham Bosse (1602-1678)
etching and engraving
circa 1632-33
on laid paper, watermark small Fleur-de-lys with Bunch of Grapes and Letters (similar to Heawood 2329)
a very fine impression
trimmed to or inside the platemark, with a fillet of blank paper all around
the tip of the lower right corner made up, a few small rust marks, generally in good condition;
and The Personification of the Lustful Man, from Philosophia Practica, a book of emblems, published by Jakob von Zetter, Frankfurt, 1624
on laid paper, without watermark
a fine impression, printing with guidelines on the text
trimmed inside the platemark
a small stain, generally in very good condition
Sheet 197 x 235 mm. (Saenredam)
Sheet 263 x 337 mm. (Bosse)
Sheet 87 x 106 mm. (Zetter)(3)
来源
Pierre Mariette II (1634-1716), Paris (Lugt 1789), dated 1664.
Probably Graf Moriz von Fries (1777-1826), Vienna (see Lugt 2903; without his mark), with the signature of his curator, Franz Rechberger (1771-1843), Vienna (Lugt 2133), dated 1800; probably von Fries' sale, Vries, Brondgeest, Engelberts & Roos, Amsterdam, 21 June 1824 and following days. (Saenredam)
Christopher Mendez (1943-2025), London; then by descent to present owners.
Probably Graf Moriz von Fries (1777-1826), Vienna (see Lugt 2903; without his mark), with the signature of his curator, Franz Rechberger (1771-1843), Vienna (Lugt 2133), dated 1800; probably von Fries' sale, Vries, Brondgeest, Engelberts & Roos, Amsterdam, 21 June 1824 and following days. (Saenredam)
Christopher Mendez (1943-2025), London; then by descent to present owners.
出版
Hollstein 122; New Hollstein (Prints after Goltzius) 724 (Saenredam);
Blum 1047; Lothe 249; Preaud 77 (Bosse);
Blum 1047; Lothe 249; Preaud 77 (Bosse);
更多详情
of the personification there is a version by Galle's workshop (a series of 4 broadsides)
荣誉呈献
Stefano Franceschi
Specialist