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拍品专文
'From our house to Albano the road runs through a bird-cage walk of about a mile, shaded by the largest, the oldest and the most venerable oaks, as well as chestnuts, that I ever saw. Under the branches of these patrician trees one frequently discovers the principal buildings of Rome, and especially the numerous ruins of ancient ones that fill the immense plane between this place and the city. In short a more romantic spot cannot be seen.'
Frederick Augustus Hervey, 4th Earl of Bristol, Bishop of Derry (1730-1803), to his daughter Mrs Foster, later Elizabeth, Duchess of Devonshire, 29 May 1779 (quoted in A. P. Oppé, op. cit., p. 135, note 1).
Cozens made two trips to Italy, the first in 1776-78 in the company of the collector and connoisseur Richard Payne Knight (1751-1824), and the second in 1782-83. These large finished watercolour views would have been worked up in the studio in Italy or later in England from the brief pencil sketches or wash drawings made while in Rome. Each new approach to the composition was accompanied by new ideas.
As Paul Oppé noted in his book on the artist and his father, J.R. Cozens' contemporaries considered this view over the Roman Campagna to be the most romantic in the world. It is therefore unsuprising that the view was one of Cozens' favourites, one which is particularly associated with him and which he painted numerous times from at least four viewpoints. Indeed, the view has remained popular amongst collectors, with drawings of the subject from different view points appearing in several important private collections including that of George Goyder (1908-1997) (sold in these Rooms, 3 June 2004, lot 68) and Paul Oppé (1878-1957) (sold in these rooms, 5 December 2006, lot 123). A drawing from the same viewpoint as the present sheet, with the path seen to the right of the composition, is in the collection of the National Gallery of Victoria, Melbourne (inv. 1209-3; C. F. Bell and T. Girtin, op. cit., no. 153).
The Galleria di Sopra, running along the south-western brim of the volcanic crater in which Lake Albano lies, was built by Pope Urban VIII (1568-1644) to link his summer residence at Castel Gandolfo with the town of Albano. The name Galleria refers to the tunnels created by the rows of trees planted on either side of each road. The Pope created several viewpoints along these routes where travellers could admire the vistas of Lake Albano and the surrounding landscape.
Frederick Augustus Hervey, 4th Earl of Bristol, Bishop of Derry (1730-1803), to his daughter Mrs Foster, later Elizabeth, Duchess of Devonshire, 29 May 1779 (quoted in A. P. Oppé, op. cit., p. 135, note 1).
Cozens made two trips to Italy, the first in 1776-78 in the company of the collector and connoisseur Richard Payne Knight (1751-1824), and the second in 1782-83. These large finished watercolour views would have been worked up in the studio in Italy or later in England from the brief pencil sketches or wash drawings made while in Rome. Each new approach to the composition was accompanied by new ideas.
As Paul Oppé noted in his book on the artist and his father, J.R. Cozens' contemporaries considered this view over the Roman Campagna to be the most romantic in the world. It is therefore unsuprising that the view was one of Cozens' favourites, one which is particularly associated with him and which he painted numerous times from at least four viewpoints. Indeed, the view has remained popular amongst collectors, with drawings of the subject from different view points appearing in several important private collections including that of George Goyder (1908-1997) (sold in these Rooms, 3 June 2004, lot 68) and Paul Oppé (1878-1957) (sold in these rooms, 5 December 2006, lot 123). A drawing from the same viewpoint as the present sheet, with the path seen to the right of the composition, is in the collection of the National Gallery of Victoria, Melbourne (inv. 1209-3; C. F. Bell and T. Girtin, op. cit., no. 153).
The Galleria di Sopra, running along the south-western brim of the volcanic crater in which Lake Albano lies, was built by Pope Urban VIII (1568-1644) to link his summer residence at Castel Gandolfo with the town of Albano. The name Galleria refers to the tunnels created by the rows of trees planted on either side of each road. The Pope created several viewpoints along these routes where travellers could admire the vistas of Lake Albano and the surrounding landscape.