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The Joanna Carson Collection: A Legacy of Glamour and Giving, Property Sold with the Intent to Benefit Various Charities
HENRY MOORE (1898-1986)
Double Standing Figure
细节
HENRY MOORE (1898-1986)
Double Standing Figure
signed 'MOORE' (on the back of the right figure)
bronze with green patina
Height (including base): 87 ½ in. (222.2 cm.)
Conceived in 1950
Double Standing Figure
signed 'MOORE' (on the back of the right figure)
bronze with green patina
Height (including base): 87 ½ in. (222.2 cm.)
Conceived in 1950
来源
Curt Valentin Gallery, New York (acquired from the artist, by 1952).
Leon Salter, North Rose, New York (acquired from the above, 8 September 1953); Estate sale, Sotheby Parke Bernet, Inc., New York, 22 October 1980, lot 76.
Joanna and Johnny Carson, Los Angeles (acquired at the above sale).
The Joanna Carson Collection, Los Angeles, 1984.
Leon Salter, North Rose, New York (acquired from the above, 8 September 1953); Estate sale, Sotheby Parke Bernet, Inc., New York, 22 October 1980, lot 76.
Joanna and Johnny Carson, Los Angeles (acquired at the above sale).
The Joanna Carson Collection, Los Angeles, 1984.
出版
H. Read, "New aspects of British Sculpture" in Exhibition of Works by Sutherland, Wadsworth, Adams, Armitage, Butler, Chadwick, Clarke, Meadows, Moore, Paolozzi, Turnbull, exh. cat., Venice Biennale, 1952, no. 141.
J.P. Hodin, "Contemporary English Sculpture: Recent Trends and Their Origin" in The Dilemma of Being Modern, London, 1956, p. 147.
P. James, Henry Moore on Sculpture, New York, 1967, pp. 108-110, nos. 33-34 (another cast and the plaster version illustrated, p. 111).
H. Holländer, "Ars inveniendi et investigandi: Zur surrealistischen Methode" in Wallraf-Richartz-Jahrbuch, vol. 32, 1970, pp. 221 and 223, fig. 155 (another cast illustrated, p. 221).
R. Melville, Henry Moore, London, 1970, pp. 167 and 355 (another cast illustrated, pls. 410 and 412).
D. Mitchinson, ed., Henry Moore: Sculpture, with Comments by the Artist, London, 1981, pp. 110 and 311, no. 210 (another cast illustrated).
A. Bowness, ed., Henry Moore, Complete Sculpture, 1949-1954, London, 1986, vol. 2, p. 32, no. 291 (another cast illustrated; another cast illustrated again, pl. 42; detail of another cast illustrated, pl. 43).
S. Compton, Henry Moore, exh. cat., Royal Academy of Arts, London, 1988, p. 231.
A. Bennet, Six Leading Sculptors and The Human Figure: Rodin, Bourdelle, Maillol, Brancusi, Giacometti, Moore, exh. cat., National Gallery, Alexandros Soutzos Museum, Athens, 2004, p. 383 (another cast illustrated, fig. 32).
C. Lichtenstern, Henry Moore: Work, Theory, Impact, London, 2008, pp. 331-333 (illustrated, p. 331, fig. 371).
J. Powell, "A coherent, national 'school' of sculpture?" in Sculpture Journal, vol. 21, no. 2, 2012, p. 38 (another cast illustrated in situ at the Venice Biennale, fig. 1).
D. Colombo and G. Zanchetti, Henry Moore, exh. cat., Museo Nazionale Romano, Rome, 2015, pp. 156 and 158 (another cast illustrated in situ in the Venice Biennale, fig. 11).
C. Winner, ed., Elizabeth Frink: Humans and Other Animals, exh. cat., Sainsbury Center for Visual Arts, Norwich, 2018, p. 78 (another cast illustrated in situ at the Venice Biennale).
J.P. Hodin, "Contemporary English Sculpture: Recent Trends and Their Origin" in The Dilemma of Being Modern, London, 1956, p. 147.
P. James, Henry Moore on Sculpture, New York, 1967, pp. 108-110, nos. 33-34 (another cast and the plaster version illustrated, p. 111).
H. Holländer, "Ars inveniendi et investigandi: Zur surrealistischen Methode" in Wallraf-Richartz-Jahrbuch, vol. 32, 1970, pp. 221 and 223, fig. 155 (another cast illustrated, p. 221).
R. Melville, Henry Moore, London, 1970, pp. 167 and 355 (another cast illustrated, pls. 410 and 412).
D. Mitchinson, ed., Henry Moore: Sculpture, with Comments by the Artist, London, 1981, pp. 110 and 311, no. 210 (another cast illustrated).
A. Bowness, ed., Henry Moore, Complete Sculpture, 1949-1954, London, 1986, vol. 2, p. 32, no. 291 (another cast illustrated; another cast illustrated again, pl. 42; detail of another cast illustrated, pl. 43).
S. Compton, Henry Moore, exh. cat., Royal Academy of Arts, London, 1988, p. 231.
A. Bennet, Six Leading Sculptors and The Human Figure: Rodin, Bourdelle, Maillol, Brancusi, Giacometti, Moore, exh. cat., National Gallery, Alexandros Soutzos Museum, Athens, 2004, p. 383 (another cast illustrated, fig. 32).
C. Lichtenstern, Henry Moore: Work, Theory, Impact, London, 2008, pp. 331-333 (illustrated, p. 331, fig. 371).
J. Powell, "A coherent, national 'school' of sculpture?" in Sculpture Journal, vol. 21, no. 2, 2012, p. 38 (another cast illustrated in situ at the Venice Biennale, fig. 1).
D. Colombo and G. Zanchetti, Henry Moore, exh. cat., Museo Nazionale Romano, Rome, 2015, pp. 156 and 158 (another cast illustrated in situ in the Venice Biennale, fig. 11).
C. Winner, ed., Elizabeth Frink: Humans and Other Animals, exh. cat., Sainsbury Center for Visual Arts, Norwich, 2018, p. 78 (another cast illustrated in situ at the Venice Biennale).
展览
Philadelphia Museum of Art; The Art Institute of Chicago and New York, The Museum of Modern Art, Sculpture of the Twentieth Century, October 1952-September 1953, p. 45, no. 84.
荣誉呈献
Rachael White Young
Senior Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale