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Monte Carlo Bond (No. 30)
细节
MARCEL DUCHAMP (1887-1968)
Monte Carlo Bond (No. 30)
signed and inscribed 'Rrose Sélavy M. Duchamp' (lower center); signed with initials 'RS' (on the tax stamp); stamped with number '30' (lower center, on the tax stamp and along the right edge)
Imitated Rectified Readymade: ink, gelatin silver print collage and tax stamp on printed paper
12 ¼ x 7 5⁄8 in. (31.1 x 19.4 cm.)
Executed in 1924
Monte Carlo Bond (No. 30)
signed and inscribed 'Rrose Sélavy M. Duchamp' (lower center); signed with initials 'RS' (on the tax stamp); stamped with number '30' (lower center, on the tax stamp and along the right edge)
Imitated Rectified Readymade: ink, gelatin silver print collage and tax stamp on printed paper
12 ¼ x 7 5⁄8 in. (31.1 x 19.4 cm.)
Executed in 1924
来源
Alexina "Teeny" Duchamp, Neuilly-sur-Seine (wife of the artist).
Pierre-Noël Matisse, Paris (by descent from the above, then by descent); sale, Christie's, New York, 9 November 2015, lot 9A.
Acquired at the above sale by the present owner.
Pierre-Noël Matisse, Paris (by descent from the above, then by descent); sale, Christie's, New York, 9 November 2015, lot 9A.
Acquired at the above sale by the present owner.
出版
R. Lebel, Marcel Duchamp, New York, 1959, pp. 50, 91 and 171 (another example illustrated, pl. 105).
C. Tomkins, The World of Marcel Duchamp, New York, 1966, p. 106 (illustrated).
A. Schwarz, The Complete Works of Marcel Duchamp, New York, 1970, pp. 44, 60, 129 and 490-491, no 280 (another example illustrated in color, p. 149; another example illustrated again, p. 490).
C. Tomkins, Duchamp: A Biography, New York, 1996, pp. 260-261, 269 and 309 (another example illustrated, p. 260).
F.M. Naumann, Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, New York, 1999, pp. 100-101, 109, 136-137 and 244 (another example illustrated in color, p. 102, no. 4.6; another example illustrated again in color, p. 138, no. 5.23).
A. Schwarz, The Complete Works of Marcel Duchamp, New York, 2000, vol. I, pp. 703-704, no. 406 (maquette and another example illustrated, p. 703).
F.M. Naumann, The Recurrent Haunting Ghost: Essays on the Art, Life and Legacy of Marcel Duchamp, New York, 2012, pp. 104-111 (other examples illustrated in color, pp. 104 and 110).
C. Tomkins, The World of Marcel Duchamp, New York, 1966, p. 106 (illustrated).
A. Schwarz, The Complete Works of Marcel Duchamp, New York, 1970, pp. 44, 60, 129 and 490-491, no 280 (another example illustrated in color, p. 149; another example illustrated again, p. 490).
C. Tomkins, Duchamp: A Biography, New York, 1996, pp. 260-261, 269 and 309 (another example illustrated, p. 260).
F.M. Naumann, Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, New York, 1999, pp. 100-101, 109, 136-137 and 244 (another example illustrated in color, p. 102, no. 4.6; another example illustrated again in color, p. 138, no. 5.23).
A. Schwarz, The Complete Works of Marcel Duchamp, New York, 2000, vol. I, pp. 703-704, no. 406 (maquette and another example illustrated, p. 703).
F.M. Naumann, The Recurrent Haunting Ghost: Essays on the Art, Life and Legacy of Marcel Duchamp, New York, 2012, pp. 104-111 (other examples illustrated in color, pp. 104 and 110).
更多详情
The Association Marcel Duchamp has confirmed the authenticity of this work.
荣誉呈献
Rachael White Young
Senior Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale