MORITA SHIRYU (1912-1998)
MORITA SHIRYU (1912-1998)
MORITA SHIRYU (1912-1998)
2 更多
森田子龍(1912-1998)

細節
森田子龍(1912-1998)

纸本水墨及聚醋酸乙烯颜料,帶框
1963年作
36 ¾ x 24 ¾ in. (93.5 x 62.9 cm.)
來源
思文閣,日本京都,2021年10月13日
展覽
“子龍書:森田子龍書法”,米舟畫廊,紐約,1963年,帶展簽
拍場告示
Please note that the catalogue description of the lot’s medium has been amended and should read:

Ink and polyvinyl acetate on paper.
纸本水墨及聚醋酸乙烯颜料,帶框

榮譽呈獻

Michelle Cheng (鄭玉京)
Michelle Cheng (鄭玉京) Senior Specialist, Head of Private Sales, SVP

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拍品專文

Morita Shiryu made his name in the post-war Japanese art history by revolutionizing the traditional Eastern art format – calligraphy. He valued the moment of true feelings in the process of creation, and for this reason, his emphasized on the expression of emotions, the movement and rhythm of life. He pushed the boundary between the West and the East, where his almost-abstraction-like artistic language liberated his works from the traditional approach of calligraphy; he also blurred the line between painting and calligraphy, as his works could be seen as both.

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