YUSUF RESISTS ZULAYKHA IN THE SEVENTH CHAMBER
YUSUF RESISTS ZULAYKHA IN THE SEVENTH CHAMBER
YUSUF RESISTS ZULAYKHA IN THE SEVENTH CHAMBER
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YUSUF RESISTS ZULAYKHA IN THE SEVENTH CHAMBER

KHORASSAN, IRAN, CIRCA 1580

细节
YUSUF RESISTS ZULAYKHA IN THE SEVENTH CHAMBER
KHORASSAN, IRAN, CIRCA 1580
An illustration to Yusuf and Zulaykha from Jami's Haft Awrang, opaque pigments heightened with gold on paper, one line of near black nasta'liq above and below, laid down between gold and polychrome rules, associated gold-sprinkled margins, catchword, the reverse text maybe al-Kisai's Qisas al-Anbiya', with 18ll. black nasta'liq, key words in red and blue, within gold and black rules, buff paper margins, catchword, mounted, framed and glazed
Painting 4 7⁄8 x 2 ½in. (12.2 x 6.5cm.); text panel 6 ½ x 2 ½in. (14 x 6.5cm.); folio 9 7⁄8 x 5 ¾in. (25 x 14.8cm.)
来源
New York private collection, 1960s, and thence by descent from which acquired by the current owner

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Phoebe Jowett Smith
Phoebe Jowett Smith Sale Coordinator & Cataloguer

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Jami’s 1483 Yusuf wa Zulaykha, part of his Haft Awrang (‘The Seven Thrones’), is a retelling of the twelfth sura of the Qur’an that also appears in the Bible. Interpreted as a Sufi metaphor for the beloved's yearning for union with the divine, it illustrates the triumph of the soul over the flesh. It is one of the most frequently copied works of Persian literature and was already illustrated during Jami's lifetime, distinguishing him from other masters. Not long after his death in 1492, his works were enthusiastically copied and illustrated under the Uzbek Shaybanids (Chad Kia, ‘Jāmi iii. And Persian Art,’ Encyclopaedia Iranica). Our painting follows the Uzbek style, but another illustration - likely from the same dispersed manuscript - and painted in a more Persian manner is in the British Museum, London (1914,0407,0.7). An illustrated copy of Jami’s Haft Awrang dated 1580-1 was sold in these Rooms, 14 October 1997, lot 111.

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