NORMAN ROCKWELL (1894-1978)
NORMAN ROCKWELL (1894-1978)
NORMAN ROCKWELL (1894-1978)
NORMAN ROCKWELL (1894-1978)
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THE MCCANN COLLECTION OF AMERICAN ILLUSTRATION
NORMAN ROCKWELL (1894-1978)

Fact and Fiction (Old Man and Young Woman Reading)

細節
NORMAN ROCKWELL (1894-1978)
Fact and Fiction (Old Man and Young Woman Reading)
signed 'Norman/Rockwell' (lower right)
oil on canvas
24 x 19 in. (61 x 48.3 cm.)
Painted circa 1917.
來源
Leslie's Illustrated Weekly Newspaper, New York.
George Haufler, Newark, New Jersey, gift from the above.
Private collection, New Jersey, by descent from the above.
American Illustrators Gallery, Inc., New York.
Acquired by the present owner from the above, 1993.
出版
Leslie's, January 11, 1917, cover illustration.
M. Moline, Norman Rockwell Encyclopedia: A Chronological Catalog of the Artist's Work, 1910-1978, Indianapolis, Indiana, 1979, p. 23.
L.N. Moffatt, Norman Rockwell: A Definitive Catalogue, vol. I, Stockbridge, Massachusetts, 1986, p. 35, no. C90, illustrated.
展覽
Stockbridge, Massachusetts, Norman Rockwell Museum, on loan, 1995.
Naples, Florida, Naples Museum of Art; Newport, Rhode Island, National Museum of American Illustration; Roslyn, New York, Nassau County Museum of Art, Norman Rockwell: American Imagist, January 2, 2008-January 3, 2010.

榮譽呈獻

Quincie Dixon
Quincie Dixon Associate Specialist, Head of Sale

拍品專文

In 1916, one of Norman Rockwell's iconic illustrations appeared on the cover of The Saturday Evening Post for the first time. This great achievement was a windfall for the artist, leading to commissions from a variety of magazines, including Collier's, The Literary Digest and Life. The present work, Fact and Fiction, was soon after commissioned by the illustrated weekly newspaper Leslie’s and published on the cover the following year on January 11, 1917. In this painting from his early years of popularity, Rockwell skillfully presents his whimsical take on everyday American life, which would propagate across newsstands across the nation and enter the homes of millions of people, continuing to resonate with viewers today over a century later.

As described by the Nassau County Museum of Art when the present work was exhibited in the 2008-10 traveling exhibition Norman Rockwell: American Imagist, "While his early Saturday Evening Post covers usually featured children, the six covers he painted for Leslie's focused primarily on adult situations. This particular image presents another Rockwell-created dichotomy: the universal balance between young and old. While these persons seemingly have no interest in one another, chances are that they might have had interests as youths meeting on the same train, given similar circumstances. The 'elder' is depicted as worn-out, perhaps a doctor with a black leather bag, obviously reading a 'used' newspaper. The 'younger' anxiously sits on the train holding her novel to her chest, clearly forlorn and wistful. As scruffy and uncaring as the 'elder' seems, the 'younger' fashionably presents her with considered accoutrement—elaborate make-up, furs, flowers and jewelry." This play between the fun and folly of youth versus the pitfalls of elder experience would be a theme Rockwell would often revisit throughout the course of his acclaimed illustration career.

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