.jpg?w=1)
.jpg?w=1)
.jpg?w=1)
.jpg?w=1)
PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION
MAX ERNST (1891-1976)
Le monde des flous - Refus absolu de vivre comme un tachiste
细节
MAX ERNST (1891-1976)
Le monde des flous - Refus absolu de vivre comme un tachiste
oil, gouache, coloured crayon and chalk, wood and plastic assemblage on panel, in the artist's original frame
40 1⁄8 x 46 3⁄8 x 2 ¾ in. (102 x 117.6 x 7 cm)
Executed in 1965
Le monde des flous - Refus absolu de vivre comme un tachiste
oil, gouache, coloured crayon and chalk, wood and plastic assemblage on panel, in the artist's original frame
40 1⁄8 x 46 3⁄8 x 2 ¾ in. (102 x 117.6 x 7 cm)
Executed in 1965
来源
Galerie Alexandre Iolas, Paris, by whom acquired directly from the artist, until 1974.
Private collection, Paris.
Private collection, Europe, by whom acquired in the late 1970s - early 1980s, and thence by descent to the present owner.
Private collection, Paris.
Private collection, Europe, by whom acquired in the late 1970s - early 1980s, and thence by descent to the present owner.
出版
'Giovinezza di Ernst', in Le arti, December 1965, no. 12, p. 8 (illustrated).
J. Russell, Max Ernst, Life and Work, London, 1967, no. 134, p. 348 (illustrated pl. 134).
A. Bosquet, 'Max Ernst: féerique inventeur d'univers' in La Galerie des Arts, no. 30, December-January 1965-66, p. 8 (illustrated).
E. Quinn, Ernst, Paris, 1976, no. 444, p. 436 (illustrated p. 355).
P. Gimferrer, Max Ernst ou la dissolution de l'identité, Barcelona, 1979, no. 110, p. 104 (illustrated).
L. Derenthal & J. Pech, Max Ernst, Paris, 1992, no. 421, p. 261 (illustrated).
S. Kaufmann, In Spannungsfeld von Fläche und Raum, Studien zur Wechselwirkung von Malerei und Skulptur im Werk von Max Ernst, Weimar, 2003, no. 207, pp. 154, 135 & 237 (illustrated p. 352).
W. Spies, S. & G. Metken & J. Pech, Max Ernst, Werke 1964-1969, Cologne, 2007, no. 4030, pp. 94 & 95 (illustrated p. 94; with incorrect medium).
J. Russell, Max Ernst, Life and Work, London, 1967, no. 134, p. 348 (illustrated pl. 134).
A. Bosquet, 'Max Ernst: féerique inventeur d'univers' in La Galerie des Arts, no. 30, December-January 1965-66, p. 8 (illustrated).
E. Quinn, Ernst, Paris, 1976, no. 444, p. 436 (illustrated p. 355).
P. Gimferrer, Max Ernst ou la dissolution de l'identité, Barcelona, 1979, no. 110, p. 104 (illustrated).
L. Derenthal & J. Pech, Max Ernst, Paris, 1992, no. 421, p. 261 (illustrated).
S. Kaufmann, In Spannungsfeld von Fläche und Raum, Studien zur Wechselwirkung von Malerei und Skulptur im Werk von Max Ernst, Weimar, 2003, no. 207, pp. 154, 135 & 237 (illustrated p. 352).
W. Spies, S. & G. Metken & J. Pech, Max Ernst, Werke 1964-1969, Cologne, 2007, no. 4030, pp. 94 & 95 (illustrated p. 94; with incorrect medium).
展览
Paris, Galerie Alexandre Iolas, Max Ernst, Le musée de l'homme suivi de la peche au soleil levant, November - December 1965 (illustrated).
Venice, Palazzo Grassi, Max Ernst, Oltre la pittura, June - October 1966, no. 81 (illustrated).
Humblebaek, Louisiana Museum of Modern Art, 6 Surrealister, March - April 1967, no. 28 (illustrated p. 24); this exhibition later travelled to Brussels, Palais des Beaux-Arts, Six peintre surréalistes, May - June 1967, no. 41 (illustrated).
Munich, Galerie Stangl, Austellung mit Ölbildern, Collagen und Zeichnungen, August - October 1967, no. 23 (illustrated; dated '1966').
Milan, Palazzo Reale, Max Ernst, October 2022 - February 2023, p. 371 (illustrated).
Venice, Palazzo Grassi, Max Ernst, Oltre la pittura, June - October 1966, no. 81 (illustrated).
Humblebaek, Louisiana Museum of Modern Art, 6 Surrealister, March - April 1967, no. 28 (illustrated p. 24); this exhibition later travelled to Brussels, Palais des Beaux-Arts, Six peintre surréalistes, May - June 1967, no. 41 (illustrated).
Munich, Galerie Stangl, Austellung mit Ölbildern, Collagen und Zeichnungen, August - October 1967, no. 23 (illustrated; dated '1966').
Milan, Palazzo Reale, Max Ernst, October 2022 - February 2023, p. 371 (illustrated).
荣誉呈献
Ottavia Marchitelli
Senior Specialist, Head of The Art of The Surreal Sale