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Temple of Style: The Barbara Jakobson Collection
CINDY SHERMAN (B. 1954)
Untitled Film Still #27
Details
CINDY SHERMAN (B. 1954)
Untitled Film Still #27
signed, numbered and dated 'Cindy Sherman 1979 5⁄10 #27' (on the reverse)
gelatin silver print
10 x 8 in. (25.4 x 20.3 cm.)
Executed in 1979. This work is number five from an edition of ten plus two artist's proofs.
Untitled Film Still #27
signed, numbered and dated 'Cindy Sherman 1979 5⁄10 #27' (on the reverse)
gelatin silver print
10 x 8 in. (25.4 x 20.3 cm.)
Executed in 1979. This work is number five from an edition of ten plus two artist's proofs.
Provenance
Metro Pictures, New York
Acquired from the above by the present owner
Acquired from the above by the present owner
Literature
A. Danto, Cindy Sherman: Untitled Film Stills, New York, 1990, p. 18 (another example illustrated).
R. Krauss, Cindy Sherman, 1975-1993, New York, 1993, pp. 33 and 225 (another example illustrated).
Sensation: Young British Artists from the Saatchi Collection, exh. cat., London, Royal Academy of Arts, 1997, p. 31 (another example illustrated).
C. Sherman, Cindy Sherman, Paris, 2006, n.p. (another example illustrated).
J. Burton, ed., Cindy Sherman, Cambridge, 2006, n.p. (another example illustrated on the front cover).
A. Carroll, Art House: The Collaboration of Chara Schreyer & Gary Hutton, New York, 2017, pp. 37 and 218 (another example illustrated).
D. Fogle and H. Skerath, eds., Making Strange: The Chara Schreyer Collection, New York, 2021, pp. 382 and 419 (another example illustrated).
R. Krauss, Cindy Sherman, 1975-1993, New York, 1993, pp. 33 and 225 (another example illustrated).
Sensation: Young British Artists from the Saatchi Collection, exh. cat., London, Royal Academy of Arts, 1997, p. 31 (another example illustrated).
C. Sherman, Cindy Sherman, Paris, 2006, n.p. (another example illustrated).
J. Burton, ed., Cindy Sherman, Cambridge, 2006, n.p. (another example illustrated on the front cover).
A. Carroll, Art House: The Collaboration of Chara Schreyer & Gary Hutton, New York, 2017, pp. 37 and 218 (another example illustrated).
D. Fogle and H. Skerath, eds., Making Strange: The Chara Schreyer Collection, New York, 2021, pp. 382 and 419 (another example illustrated).
Exhibited
Tokyo, PARCO, Cindy Sherman Photographs, September 1987, pp. 31 and 95 (another example exhibited and illustrated).
Museo de Monterrey, Becher, Mapplethorpe, Sherman, April-June 1992, pp. 168-169 and 243, no. 6 (another example exhibited and illustrated).
Washington, D. C., Hirshhorn Museum and Sculpture Garden, Directions: Cindy Sherman: Film Stills, March-June 1995, n.p., no. 27 (another example exhibited and illustrated).
Hamburg, Deichtorhallen; Malmö Konsthall and Lucerne, Kunstmuseum, Cindy Sherman: Photographic Work, 1975-1995, May 1995-February 1996, n.p., no. 16 (another example exhibited and illustrated).
Tokyo, Museum of Contemporary Art, Cindy Sherman, July-December 1996, pp. 70 and 180, no. 19 (another example exhibited and illustrated).
New York, Museum of Modern Art, Cindy Sherman: The Complete Untitled Film Stills, June-September 1997, pp. 146-147 (another example exhibited and illustrated).
New York, Museum of Modern Art, Open Ends, October 2000-February 2001 (another example exhibited).
New York, Museum of Modern Art, Photography: Inaugural Installation, November-June 2005 (another example exhibited).
Cologne, Museum Ludwig, The Eighth Square. Gender, Life and Desire in the Arts since 1960, August-November 2006, pp. 280 and 292 (another example exhibited and illustrated).
New York, Metropolitan Museum of Art, The Pictures Generation, 1974-1984, April-August 2009, n.p., no 92 (illustrated).
New York, Whitney Museum of American Art and Paris, Centre Pompidou, Musée National d'Art Moderne, Collected by Thea Westreich Wagner and Ethan Wagner, November 2015-January 2017 pp. 54 and 336 (another example exhibited and illustrated).
Paris, Fondation Louis Vuitton, Cindy Sherman, September 2020-January 2021, pp. 75 and 234 (another example exhibited and illustrated).
Museo de Monterrey, Becher, Mapplethorpe, Sherman, April-June 1992, pp. 168-169 and 243, no. 6 (another example exhibited and illustrated).
Washington, D. C., Hirshhorn Museum and Sculpture Garden, Directions: Cindy Sherman: Film Stills, March-June 1995, n.p., no. 27 (another example exhibited and illustrated).
Hamburg, Deichtorhallen; Malmö Konsthall and Lucerne, Kunstmuseum, Cindy Sherman: Photographic Work, 1975-1995, May 1995-February 1996, n.p., no. 16 (another example exhibited and illustrated).
Tokyo, Museum of Contemporary Art, Cindy Sherman, July-December 1996, pp. 70 and 180, no. 19 (another example exhibited and illustrated).
New York, Museum of Modern Art, Cindy Sherman: The Complete Untitled Film Stills, June-September 1997, pp. 146-147 (another example exhibited and illustrated).
New York, Museum of Modern Art, Open Ends, October 2000-February 2001 (another example exhibited).
New York, Museum of Modern Art, Photography: Inaugural Installation, November-June 2005 (another example exhibited).
Cologne, Museum Ludwig, The Eighth Square. Gender, Life and Desire in the Arts since 1960, August-November 2006, pp. 280 and 292 (another example exhibited and illustrated).
New York, Metropolitan Museum of Art, The Pictures Generation, 1974-1984, April-August 2009, n.p., no 92 (illustrated).
New York, Whitney Museum of American Art and Paris, Centre Pompidou, Musée National d'Art Moderne, Collected by Thea Westreich Wagner and Ethan Wagner, November 2015-January 2017 pp. 54 and 336 (another example exhibited and illustrated).
Paris, Fondation Louis Vuitton, Cindy Sherman, September 2020-January 2021, pp. 75 and 234 (another example exhibited and illustrated).
Brought to you by
Rachel Ng
Associate Specialist, Acting Head of Sale, Post-War to Present