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A Lifelong Pursuit: Important Italian Paintings from a Distinguished Private Collection
MATTHIAS STOMER (?AMERSFOORT 1599/ 1600-1645 OR AFTER ?VENICE)
A young man lighting his pipe
细节
MATTHIAS STOMER (?AMERSFOORT 1599/ 1600-1645 OR AFTER ?VENICE)
A young man lighting his pipe
oil on canvas
52 7⁄8 x 37 ½ in. (134.3 x 95.3 cm.)
A young man lighting his pipe
oil on canvas
52 7⁄8 x 37 ½ in. (134.3 x 95.3 cm.)
来源
Principe di Galati, Palazzo Galati, Palermo (where documented as a pendant to Adam de Coster A young woman holding a distaff before a lit candle), by descent in the family since the 17th century until at least 1958.
Anonymous sale; Sotheby's, New York, 17 January 1992, lot 46A (pendant by Adam de Coster sold as lot 46).
[Property of a Private Collector]; Sotheby's, New York, 28 January 1999, lot 306, where acquired by the present owner.
Anonymous sale; Sotheby's, New York, 17 January 1992, lot 46A (pendant by Adam de Coster sold as lot 46).
[Property of a Private Collector]; Sotheby's, New York, 28 January 1999, lot 306, where acquired by the present owner.
出版
S. Fokker, 'Nederlandsche schilders in Zuid-Italië', Oud Holland, XLVI, 1929, p. 23.
G. Isarlo, Le Caravage et le Caravagisme Européen, II, Aix-en-Provence, 1941, p. 232.
H. Pauwels, 'De schilder Matthias Stomer', Gentse bijdragen tot de kunstgeschiedenis, XIV, 1953, p. 173.
B. Nicolson, Hendrick Terbrugghen, London, 1958, pp. 65-66, pl. 33a.
B. Nicolson, 'Stomer Brought Up-to-Date', Burlington Magazine, CXIX, 1977, p. 245, no. 137.
B. Nicolson, The International Caravaggesque Movement, Oxford, 1979, p. 96.
L.J. Slatkes, in Holländische Malerei in neuen licht - Hendrik Ter Brugghen und Seine Zetigenossen, A. Blankert and L.J. Slatkes, eds., exhibition catalogue, Utrecht, 1986, p. 108, under no. 13, note 13.
B. Nicolson, Caravaggism in Europe, Oxford, 1989, I, p. 187.
F. Fischbacher, Matthias Stomer: Die sizilianischen Nachtstücke, Frankfurt am Main, 1993, pp. 82, 85-86, fig. 15.
R. Verdi, 'Nicolson's Stom brought up-to-date', in Matthias Stom, Isaac blessing Jacob, exhibition catalogue, London, 1999, p. 67.
L.J. Slatkes and W. Franits, The Paintings of Hendrick ter Brugghen, Amsterdam and Philadelphia, 2007, pp. 155-156, note 15.
G. Isarlo, Le Caravage et le Caravagisme Européen, II, Aix-en-Provence, 1941, p. 232.
H. Pauwels, 'De schilder Matthias Stomer', Gentse bijdragen tot de kunstgeschiedenis, XIV, 1953, p. 173.
B. Nicolson, Hendrick Terbrugghen, London, 1958, pp. 65-66, pl. 33a.
B. Nicolson, 'Stomer Brought Up-to-Date', Burlington Magazine, CXIX, 1977, p. 245, no. 137.
B. Nicolson, The International Caravaggesque Movement, Oxford, 1979, p. 96.
L.J. Slatkes, in Holländische Malerei in neuen licht - Hendrik Ter Brugghen und Seine Zetigenossen, A. Blankert and L.J. Slatkes, eds., exhibition catalogue, Utrecht, 1986, p. 108, under no. 13, note 13.
B. Nicolson, Caravaggism in Europe, Oxford, 1989, I, p. 187.
F. Fischbacher, Matthias Stomer: Die sizilianischen Nachtstücke, Frankfurt am Main, 1993, pp. 82, 85-86, fig. 15.
R. Verdi, 'Nicolson's Stom brought up-to-date', in Matthias Stom, Isaac blessing Jacob, exhibition catalogue, London, 1999, p. 67.
L.J. Slatkes and W. Franits, The Paintings of Hendrick ter Brugghen, Amsterdam and Philadelphia, 2007, pp. 155-156, note 15.
荣誉呈献
Jennifer Wright
Head of Department