A NAVAJO SANDPAINTING RUG
A NAVAJO SANDPAINTING RUG
A NAVAJO SANDPAINTING RUG
2 更多
A NAVAJO SANDPAINTING RUG

细节
A NAVAJO SANDPAINTING RUG
finely and tightly woven of native handspun wool in natural and analine shades of ivory, brown, pale yellow, green, red, and tan, with a depiction of Mother Earth and Father Sky from the Shootingway Chant
60 ½ in. (153.7 cm.) high, 55 in. (139.7 cm.) wide
来源
Jill and Elin Elisofon, Los Angeles
Christie's, New York, 13 June 2005, lot 24 (illustrated on cover of sale catalogue)
Acquired from the above sale by the current owner
出版
"The Girls of Hollywood", Life Magazine (August 3, 1942), vol. XIII, no. 5, p. 46, illustrated.

荣誉呈献

Peter Klarnet
Peter Klarnet Senior Specialist, Americana

拍品专文

In the 1942 Life Magazine article, Rosalind Russell is seen posed before this sandpainting weaving.

Describing a similar textile, Katherine Spencer Halpern writes: "The textile depicts two similar figures, diamond-shaped with short extended hands and feet and rounded heads with horns. In the grey (or sometimes blue) body of Mother Earth are the four sacred plants -- corn, beans, squash and tobacco. The black circle out of which the plants are growing represents the lake which filled the Emergence Place after the people came up with these plants from the underworlds. In the black body of Father Sky are four constellations and the Milky Way (shown by crossed lines across his chest). Both figures have on green and red jacklas ... [Leland C.] Wyman describes a similar picture: The Blue Earth at the south, wearing 'the turquoise dress of summer sky outlined with yellow pollen indicating fertility, sits on black mist held together by a rainbow.' The black night Sky at the north also has pollen hands and feet; it is outlined with white morning light, and sits on a cloud of blue mist bound with a rainbow. Both figures wear the pointed red Shootingway headdress with attached eagle and turkey-tail feathers and a mask (or face paint) of Sun's House stripes -- yellow on chin, blue, black and white on forehead. Horns marked with lightnings are attached to the side of their heads ... and a line of pollen (or white corn meal) connects their mouths ...," (Halpern, exhibition catalogue, Woven holy people: Navajo sandpainting textiles from the permanent collection (Wheelwright Museum of the American Indian, Santa Fe, NM, 1982), n.p.).

更多来自 我们人民:美利坚二百五十载

查看全部
查看全部