A LOUIS XVI GOLD AND VERRE EGLOMISÉ SNUFF-BOX
A LOUIS XVI GOLD AND VERRE EGLOMISÉ SNUFF-BOX
A LOUIS XVI GOLD AND VERRE EGLOMISÉ SNUFF-BOX
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A LOUIS XVI GOLD AND VERRE EGLOMISÉ SNUFF-BOX
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A LOUIS XVI GOLD AND VERRE EGLOMISÉ SNUFF-BOX

MARK OF ADRIEN-JEAN-MAXIMILIEN VACHETTE, PARIS, 1784

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A LOUIS XVI GOLD AND VERRE EGLOMISÉ SNUFF-BOX
MARK OF ADRIEN-JEAN-MAXIMILIEN VACHETTE, PARIS, 1784
Rectangular with cut corners, polished gold set on cover and sides with oval grisaille miniatures of marine mythologies on scarlet ground under glass, and with conforming putti tritons at the angles, with borders of concave ovals throughout, marked on interior cover, base, and side with dated letter P, maker's mark, and charge mark, the flange with decharge and second mark, unidentified
3 ½ in. (8.9 cm.) long
4 oz. 16 dwt. (149 gr.) gross weight
來源
By repute, with S.J. Philips, London.
By repute, acquired by Annie Laurie Aitken (1900-1984) and Russell Barnett Aitken (1910-2002) from the above, 24 April 1958.

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拍品專文

Adrien-Jean-Maximilien Vachette (1753–1839), son of Pierre Vachette of Cauffry, became a master goldsmith in Paris in 1779, initially working at Place Dauphine. After 1797 his hallmark changed to a diamond shape, and he is listed in the Paris Trade Almanac as a jeweler at 34 Quai de l’Horloge from 1798 to 1805, moving to No. 45 from 1806 to 1823, and later residing at 12 rue Chanoinesse until his death. Renowned during his lifetime, Vachette was celebrated for his gold-mounted snuff boxes, praised in 1809 for their exquisite craftsmanship and use of precious materials. He frequently combined lacquer, tortoiseshell, and hardstones, sometimes incorporating older elements like miniatures or cameos. His reputation was so influential that fellow goldsmiths later advertised works “made in the Vachette style.”

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