A GEORGE III INDIAN ROSEWOOD, SABICU AND MARQUETRY WORK TABLE
A GEORGE III INDIAN ROSEWOOD, SABICU AND MARQUETRY WORK TABLE
A GEORGE III INDIAN ROSEWOOD, SABICU AND MARQUETRY WORK TABLE
2 更多
A GEORGE III INDIAN ROSEWOOD, SABICU AND MARQUETRY WORK TABLE
5 更多
A GEORGE III INDIAN ROSEWOOD, SABICU AND MARQUETRY WORK TABLE

ATTRIBUTED TO PIERRE LANGLOIS, CIRCA 1760

細節
A GEORGE III INDIAN ROSEWOOD, SABICU AND MARQUETRY WORK TABLE
ATTRIBUTED TO PIERRE LANGLOIS, CIRCA 1760
The serpentine hinged top with circular medallion of laurel leaves enclosing a ribbon-tied floral spray, the frieze with husk swags on cabriole legs joined by stretchers
28 ½ in. (72.4 cm.) high, 20 ¼ in. (51.4 cm.) wide, 15 in. (38.1 cm.) deep
來源
Property of a Lady of Title.
With Apter-Fredericks, London.
Mr. and Mrs. Saul P. Steinberg; Sotheby's, New York, 25 May 2000, lot 151.
Private New Jersey Collection; Sotheby's, New York, 27 October 2017.
Acquired by Irene Roosevelt Aitken from the above.

榮譽呈獻

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

拍品專文

The French fashion for this style of Lady's table was introduced to London by the Tottenham Court Road ébéniste Pierre Langlois (d.1767) and was illustrated amongst the 'inlaid work' or 'Meubles, inscrutez de fleurs en bois et marqueteries...'advertised in his trade sheet (P. Thornton & W. Rieder, 'Pierre Langlois: Ebéniste. Part 1', The Connoisseur, December 1971, p. 284). Langlois invoiced one such hinged-top and stretcher-trayed table known as a table en chiffonnier or vide poche in 1759. When supplied at a cost of 9 guineas to the 4th Duke of Bedford, it was described as a 'table de vide poche incruste de fleur de bois violette des indes enjolivee de ornement de bronze doree ...'(ibid., p. 283 and illustrated in G. Worsley, 'Woburn Abbey', Country Life, 22 April 1993, p. 55, fig. 9). This table's elegantly serpentined form corresponds to that of 'A Table inlaid Woods by Langlois £8' purchased by Elizabeth Duchess of Northumberland in the early 1760s (P. Thornton & W. Rieder, 'Pierre Langlois: Ebéniste. Part 3', The Connoisseur, April 1972, p. 258, fig. 4). Its surface is strewn with trompe l'oeil sprigs of Venus's sacred roses, accompanying a poetic tablet. This comprises a sacred urn enriched with flowered and laurel-festooned Roman foliage in the antique or arabesque manner adopted around 1770 and later popularized by Thomas Chippendale Junior's Sketches of Ornament, 1779.

This table bears similarities to a work-table attributed to Langlois, sold Christie's, London, 16 April 1998, lot 133 ($27,600). A further related work table attributed to Langlois, with the same laurel medallion to the top, was included in the Gyrn Castle Sale; Christie's House Sale; 17 July 2006, lot 523. Another from Broadlands, Hampshire is illustrated in H. A. Tipping, English Homes, Period VI, vol.I, Late Georgian, 1760-1820, London, 1926, p.251, fig.392.

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