細節
A GERMAN WHEEL-LOCK PUFFER
CIRCA 1580
With two stage blued barrel flared at muzzle part round part the octagonal breech the top flat stamped with Augsburg pinecone mark and the barrel smith's mark: a bird in shield. Flat lock stamped with Nuremberg shield mark and maker’s mark IV and a bird within a shield (Neue Støckel 3640), domed wheel cover, sculpted and engraved dog, pan and spring release pan cover with acanthus and hatch ground, spring loaded safety. Ebonized fruitwood stock with engraved bone plaques: portraits of a Queen and King around barrel tang below the initial H on each side, acanthus strapwork borders, s-scrolls, bearded harpies, flower rounds on ball butt, circular acanthus border engraved cap. Iron triggerguard with incised lines, ramrod pipes with helmeted man and fore-end cap a mask. Iron tipped wooden ramrod (replaced).
20 ¼ in. overall
The successful bidder will be responsible for arranging their own shipments or collecting in-person and will be responsible for applicable New York taxes.
來源
W. Keith Neal.
With James Graham Galleries, New York.
Acquired by Russell Barnett Aitken from the above.

榮譽呈獻

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

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拍品專文

The development of the wheellock pistol was largely driven by Germany’s major arms-making centers, particularly Augsburg and Nuremberg. German pistols often feature distinctive marks and were frequently dated during the 16th century, providing valuable historical information. Ball-butted pistols, known as Puffers, remained popular until the late 16th century. Designed for horsemen and carried in saddle holsters, their large ball pommel likely ensured a secure grip when drawn. The name almost certainly describes the large puff of smoke discharged from the muzzle when fired.

A number of similar high quality wheellock pistols of this exact design are recorded, with a large number preserved in the city arsenal at Graz, Austria. The pistols are invariably stamped with the control marks of Augsburg or Nuremberg, with some examples like the Aitken one bearing both marks. It may be speculated that a consortium of craftsmen from both south German cities were contracted to fulfill a large order of these pistols, all according to a prescribed design. Two similar examples are in the Metropolitan Museum of Art, both bearing Augsburg marks alone (acc. Nos. 14.25.1402a, 14.25.1402b).

Although this series of pistols appears to have been made to fulfill an large order, suggesting their use for the military or a city militia, their design is particularly elegant, the dark ebonized wood providing an effective contrast to the large plaques of bone engraved with Renaissance strapwork, grotesques, and human figures.

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