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The Bridle Path, Central Park
细节
MAURICE BRAZIL PRENDERGAST (1859-1924)
The Bridle Path, Central Park
signed, dated and inscribed with title 'The Bridle Path/Central Park./New York.' and 'Maurice B Prendergast/1902.' (lower left)
watercolor, pastel and pencil on paper
15 ¼ x 22 in. (38.7 x 55.9 cm.)
Executed in 1902.
The Bridle Path, Central Park
signed, dated and inscribed with title 'The Bridle Path/Central Park./New York.' and 'Maurice B Prendergast/1902.' (lower left)
watercolor, pastel and pencil on paper
15 ¼ x 22 in. (38.7 x 55.9 cm.)
Executed in 1902.
来源
The artist.
Charles Prendergast, Westport, Connecticut, brother of the above, 1924.
Whitney Museum of American Art, New York, 1932.
Kraushaar Galleries, 1948.
Martha Jackson, New York, by 1953.
Private collection, New York.
Davis Langdale & Company, New York.
Acquired by the present owner from the above, 1995.
Charles Prendergast, Westport, Connecticut, brother of the above, 1924.
Whitney Museum of American Art, New York, 1932.
Kraushaar Galleries, 1948.
Martha Jackson, New York, by 1953.
Private collection, New York.
Davis Langdale & Company, New York.
Acquired by the present owner from the above, 1995.
出版
(Possibly) "The Water Color Exhibition," New York Times, November 27, 1902, p. 9 (as The Bridle Path).
E.L. Cary, "The Maurice Prendergast Memorial Exhibition," New York Times, February 25, 1934, p. 12X.
"Whitney Museum Opens Prendergast Memorial Display," New York Herald Tribune, February 1934, p. 21.
L. Eglington, "Prendergast Art in Fine Memorial," ArtNews, vol. XXXII, March 3, 1934, p. 4.
Whitney Museum of American Art, History, Purpose and Activities with a Complete List of Works in its Permanent Collection to January, 1935, New York, 1935, p. 20.
Whitney Museum of American Art, History, Purpose and Activities with a Complete List of Works in its Permanent Collection to January, 1937, New York, 1937, p. 28.
National Cyclopedia of American Biography, vol. XXX, New York, 1943, p. 399.
H.H. Rhys, "Maurice Prendergast: The Sources and Development of His Style," Ph.D. Dissertation, Harvard University, 1952, pp. 81, 86, 175, no. 23, illustrated.
D. Adlow, Christian Science Monitor, September 18, 1954, p. 8, illustrated.
P.A. Wick, Maurice Prendergast (1859-1924), exhibition catalogue, Boston, Massachusetts, 1960, p. 90.
E. Glavin, E. Green, Maurice Prendergast: Art of Impulse and Color, exhibition catalogue, College Park, Maryland, 1976, p. 44 (as The Bridle Path).
D.B. Burke, American Paintings in the Metropolitan Museum of Art: A Catalogue of Works by Artists Born Between 1846-1864, vol. III, New York, 1980, pp. 339-40, illustrated.
H. Adams, American Drawings and Watercolors in the Museum of Art, Carnegie Institute, exhibition catalogue, Pittsburgh, Pennsylvania, 1985, p. 132.
J.P. O'Neill, ed., The Metropolitan Museum of Art: The United States of America, New York, 1987, p. 106.
C. Clark, N.M. Mathews, G. Owens, Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonné, Williamstown, Massachusetts, 1990, p. 406, no. 773, illustrated.
G. Gluek, "Happy American Scenes with European Accents," New York Times, June 13, 2003.
J. Gardner, "Great Outdoors," New York Post, May 27, 2003.
E.L. Cary, "The Maurice Prendergast Memorial Exhibition," New York Times, February 25, 1934, p. 12X.
"Whitney Museum Opens Prendergast Memorial Display," New York Herald Tribune, February 1934, p. 21.
L. Eglington, "Prendergast Art in Fine Memorial," ArtNews, vol. XXXII, March 3, 1934, p. 4.
Whitney Museum of American Art, History, Purpose and Activities with a Complete List of Works in its Permanent Collection to January, 1935, New York, 1935, p. 20.
Whitney Museum of American Art, History, Purpose and Activities with a Complete List of Works in its Permanent Collection to January, 1937, New York, 1937, p. 28.
National Cyclopedia of American Biography, vol. XXX, New York, 1943, p. 399.
H.H. Rhys, "Maurice Prendergast: The Sources and Development of His Style," Ph.D. Dissertation, Harvard University, 1952, pp. 81, 86, 175, no. 23, illustrated.
D. Adlow, Christian Science Monitor, September 18, 1954, p. 8, illustrated.
P.A. Wick, Maurice Prendergast (1859-1924), exhibition catalogue, Boston, Massachusetts, 1960, p. 90.
E. Glavin, E. Green, Maurice Prendergast: Art of Impulse and Color, exhibition catalogue, College Park, Maryland, 1976, p. 44 (as The Bridle Path).
D.B. Burke, American Paintings in the Metropolitan Museum of Art: A Catalogue of Works by Artists Born Between 1846-1864, vol. III, New York, 1980, pp. 339-40, illustrated.
H. Adams, American Drawings and Watercolors in the Museum of Art, Carnegie Institute, exhibition catalogue, Pittsburgh, Pennsylvania, 1985, p. 132.
J.P. O'Neill, ed., The Metropolitan Museum of Art: The United States of America, New York, 1987, p. 106.
C. Clark, N.M. Mathews, G. Owens, Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonné, Williamstown, Massachusetts, 1990, p. 406, no. 773, illustrated.
G. Gluek, "Happy American Scenes with European Accents," New York Times, June 13, 2003.
J. Gardner, "Great Outdoors," New York Post, May 27, 2003.
展览
(Possibly) New York, New York Water Color Club, Thirteenth Annual Exhibition, November 22-December 14, 1902, p. 15, no. 140 (as The Bridle Path).
Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, Seventy-Second Annual Exhibition, January 19-February 28, 1903, no. 623.
New York, Whitney Museum of American Art, Maurice Prendergast Memorial Exhibition, February 21-March 22, 1934, no. 15.
San Francisco, California, M.H. de Young Memorial Museum, Exhibition of American Painting, June 7-July 7, 1935, no. 414.
Andover, Massachusetts, Phillips Academy, Addison Gallery of American Art, The Prendergasts: Retrospective Exhibition of the Work of Maurice and Charles Prendergast, September 24-November 6, 1938, no. 29.
Northampton, Massachusetts, Smith College Museum of Art, American Art: Aspects of American Paintings, 1900-1940, June 12-22, 1940, no. 22.
New York, Metropolitan Museum of Art; Mexico City, Mexico, Palacio de Bellas Artes; Santiago, Chile, Museo Nacional de Bellas Artes; Lima, Peru, Escuela Nacional de Ballas Artes; Quito, Ecuador, Universidad Central de Ecuador; Buenos Aires, Argentina, Museo Nacional de Bellas Artes; Montevideo, Uruguay, Galeria del Testro Solis; Rio de Janeiro, Brazil, Museo de Bellas Artes; Bogotá, Colombia, Biblioteca Nacional; Caracas, Venezuela, Museo Nacional de Bellas Artes; Havana, Cuba, The Capitol, Exposición de Pintura Contemporánea Norteamericana, April 19-December 15, 1941, p. 144.
Boston, Massachusetts, Museum of Fine Arts, Sport in American Art, October 10-December 10, 1944, p. 18, no. 80.
Minneapolis, Minnesota, Walker Art Center; Washington, D.C., Pan American Union; Buenos Aires, Argentina; São Paulo, Brazil; Montevideo, Uruguay; Bogotá, Columbia; Lima, Peru; Santiago, Chile, Watercolor USA, April 26, 1946-May 1947, p. 51, no. 5.
Northampton, Massachusetts, Smith College Museum of Art, Smith College 75th Anniversary Commencement Exhibition, 1950, no. 69.
New York, Martha Jackson Gallery, 100 Years of American Watercolors, March 24-April 25, 1953, no. 13.
New York, Adelson Galleries, Maurice Prendergast: Paintings of America, May 15-June 20, 2003, pp. 49, 52-53, no. 13, illustrated.
Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, Seventy-Second Annual Exhibition, January 19-February 28, 1903, no. 623.
New York, Whitney Museum of American Art, Maurice Prendergast Memorial Exhibition, February 21-March 22, 1934, no. 15.
San Francisco, California, M.H. de Young Memorial Museum, Exhibition of American Painting, June 7-July 7, 1935, no. 414.
Andover, Massachusetts, Phillips Academy, Addison Gallery of American Art, The Prendergasts: Retrospective Exhibition of the Work of Maurice and Charles Prendergast, September 24-November 6, 1938, no. 29.
Northampton, Massachusetts, Smith College Museum of Art, American Art: Aspects of American Paintings, 1900-1940, June 12-22, 1940, no. 22.
New York, Metropolitan Museum of Art; Mexico City, Mexico, Palacio de Bellas Artes; Santiago, Chile, Museo Nacional de Bellas Artes; Lima, Peru, Escuela Nacional de Ballas Artes; Quito, Ecuador, Universidad Central de Ecuador; Buenos Aires, Argentina, Museo Nacional de Bellas Artes; Montevideo, Uruguay, Galeria del Testro Solis; Rio de Janeiro, Brazil, Museo de Bellas Artes; Bogotá, Colombia, Biblioteca Nacional; Caracas, Venezuela, Museo Nacional de Bellas Artes; Havana, Cuba, The Capitol, Exposición de Pintura Contemporánea Norteamericana, April 19-December 15, 1941, p. 144.
Boston, Massachusetts, Museum of Fine Arts, Sport in American Art, October 10-December 10, 1944, p. 18, no. 80.
Minneapolis, Minnesota, Walker Art Center; Washington, D.C., Pan American Union; Buenos Aires, Argentina; São Paulo, Brazil; Montevideo, Uruguay; Bogotá, Columbia; Lima, Peru; Santiago, Chile, Watercolor USA, April 26, 1946-May 1947, p. 51, no. 5.
Northampton, Massachusetts, Smith College Museum of Art, Smith College 75th Anniversary Commencement Exhibition, 1950, no. 69.
New York, Martha Jackson Gallery, 100 Years of American Watercolors, March 24-April 25, 1953, no. 13.
New York, Adelson Galleries, Maurice Prendergast: Paintings of America, May 15-June 20, 2003, pp. 49, 52-53, no. 13, illustrated.
荣誉呈献
Paige Kestenman
Vice President, Senior Specialist