JOSEF HOFFMANN (1870-1956)
JOSEF HOFFMANN (1870-1956)
JOSEF HOFFMANN (1870-1956)
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JOSEF HOFFMANN (1870-1956)
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An Enquiring Eye: Property from a Distinguished Private Collector
JOSEF HOFFMANN (1870-1956)

Table Lamp, Model No. M0040, circa 1907

细节
JOSEF HOFFMANN (1870-1956)
Table Lamp, Model No. M0040, circa 1907
executed by Konrad Schindel for the Wiener Werkstätte, Vienna, Austria
hammered silvered brass, brass, silk shade
24 ½ in. (62.2 cm) high, 11 in. (28 cm) diameter of shade
stamped with artist's monogram JH, maker's monogram KS, Wiener Werkstätte's monogram WW and with Rose registered trademark
来源
Barry Friedman Ltd., New York
Acquired from the above by the present owner, 1984
出版
C. Holme, The Art-Revival in Austria, New York, 1906, plate D65 (for a related example)
P. Noever and O. Oberhuber, Josef Hoffmann, Ornament zwischen Hoffnung und Verbrechen, Vienna, 1987, pp. 189, 321, no. M2 (for a related example)
Josef Hoffmann, Designs, exh. cat., MAK-Austrian Museum of Applied Arts, Vienna, 1992, pp. 185, 318, no. 291 (for a related example)
Vienna 1900-1930, Art in the Home, exh. cat., Historical Design Inc., New York, 1997, p. 36 (for a related example)
更多详情
This model can be found in the permanent collection of the MAK - Museum of Applied Arts, Vienna (inv. no. GO 2003⁄1965).

Period photographs of this model can be found in the permanent collection of the MAK - Museum of Applied Arts, Vienna (inv. nos. WWF 97-22-1 and WWF 97-1-3).

荣誉呈献

Victoria Allerton Tudor
Victoria Allerton Tudor Vice President, Specialist, Head of Sale

拍品专文

The present table lamp was designed by Josef Hoffmann in 1903 and exemplifies the artist’s early exploration of geometric clarity and modernist refinement within the context of the Wiener Werkstätte. It demonstrates his characteristic fusion of architectural discipline and functional elegance.
Notably, one of the purchasers of this design was Dr. Hermann Wittgenstein, a member of the illustrious Viennese family whose patronage profoundly shaped Hoffmann’s career and the development of the Wiener Werkstätte. The Wittgensteins, among the most important supporters of Viennese modernism, commissioned interiors, furnishings, and decorative objects from Hoffmann and his collaborators and their support enabled Hoffmann to experiment with materials, scale, and proportion in ways that defined the aesthetic of early twentieth-century Austrian design.
This lamp is thus not only a refined example of Hoffmann’s design vocabulary but also a testament to the crucial role of enlightened patronage in the flourishing of Viennese modernism. It embodies the intersection of visionary artistry and forward-looking support that allowed the Wiener Werkstätte to realize its most ambitious interiors and decorative ensembles.

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