ABD AL-RAHMAN JAMI (D.1492): SILSILAT AL-DHAHAB
ABD AL-RAHMAN JAMI (D.1492): SILSILAT AL-DHAHAB
ABD AL-RAHMAN JAMI (D.1492): SILSILAT AL-DHAHAB
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ABD AL-RAHMAN JAMI (D.1492): SILSILAT AL-DHAHAB

SAFAVID IRAN, DATED AH 962 / 1554-5 AD

細節
ABD AL-RAHMAN JAMI (D.1492): SILSILAT AL-DHAHAB
SAFAVID IRAN, DATED AH 962 / 1554-5 AD
Persian manuscript on gold-speckled paper, 238ff. each folio with 14ll. fine black nasta'liq arranged in two columns, section headings in cobalt-blue, red or gold reserved against lightly illuminated panels, set within gold and polychrome rules, the opening bifolio identifying the title and author in white nasta'liq set within gold palmette against illuminated margins, 2 illuminated headpieces within the text, the colophon dated and lightly illuminated, in gilt-stamped Safavid binding, the gilt doublures with blue decoupé panels
Text panel 6 3⁄8 x 3 1/8in. (16.2 x 7.9cm.); folio 10 ¼ x 6 ½in. (25.9 x 16.4cm.)
來源
Anon. sale, Sotheby's London, 18 April 1984, lot 90
The Saeed Motamed Collection - Part II, Christie's London, 7 October 2013, lot 92

榮譽呈獻

Phoebe Jowett Smith
Phoebe Jowett Smith Sale Coordinator & Cataloguer

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拍品專文

The silsilat al-dhahhab is the first part of the Haft Awrang of Jami. Composed in the late 15th century, it comprises a series of short pithy stories intended for moral instruction. A double-page frontispiece from a Khamsa of Nizami in the Los Angeles County Museum of Art is very similar to the frontispiece of ours in the overall composition, using green and blue strapwork in the field rather than turquoise and orange as seen here (acc.no.M.73.5.486). Since no subsequent folios of that manuscript are preserved, it is hard to know how similar the rest of the manuscript would have been to ours. This style of interlacing framework within the field is very typical of work done in Safavid Shiraz, and can be seen on the frontispiece of the Loewi Khamsa, which sold in these Rooms, 24 October 2024, lot 60.

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