拍品 89
89
A PAIR OF ORMOLU-MOUNTED CHINESE PORCELAIN BLUE AND WHITE CACHE-POTS
A PAIR OF ORMOLU-MOUNTED CHINESE PORCELAIN BLUE AND WHITE CACHE-POTS
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A PAIR OF ORMOLU-MOUNTED CHINESE PORCELAIN BLUE AND WHITE CACHE-POTS

THE PORCELAIN MING DYNASTY, 16TH/17TH CENTURY, THE MOUNTS LOUIS XIV, CIRCA 1715

细节
A PAIR OF ORMOLU-MOUNTED CHINESE PORCELAIN BLUE AND WHITE CACHE-POTS
THE PORCELAIN MING DYNASTY, 16TH/17TH CENTURY, THE MOUNTS LOUIS XIV, CIRCA 1715
Each of lobed section and painted with scrolling lotus vine, mounted with gadrooned ormolu rims and feet, the leaf-cast swing handles suspending from shells, above maiden masks flanked by scrollwork, possibly originally with covers
10 ¼ in. (26 cm.) wide, over handles
来源
Acquired from Galerie J. Kugel, Paris, 2002.
出版
T. Schroder, Renaissance and Baroque Silver, Mounted Porcelain and Ruby Glass from the Zilkha Collection, London, 2012, cat. no. 76, pp. 276-278.

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拍品专文

A pair of polychrome-decorated vases and covers, now in the collection of the J. Paul Getty Museum, Los Angeles (obj. no. 72.DI.50) are set with a near-identical scheme of Louis XIV-period mounts, though the strapwork mounts to the sides are of different lengths, accommodating the variant porcelain bodies. Interestingly, while the porcelain bodies of Getty vases were 'new' at the time of their mounting, dating to the turn of the eighteenth century, the present vases date to the Ming Dynasty, predating the ormolu mounts by around a century or more. A vase with near-identical shape and decoration, but tapering to a short neck mounted with an Ottoman silver lid, is preserved in the Victoria and Albert Museum, London, and may provide a clue to the original shapes of the present vases, before they were cut down for mounting (illustrated in T. Schroder, op. cit., p. 278, fig. 92).

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