ALEXANDER COOSEMANS (ANTWERP 1627-1689)
ALEXANDER COOSEMANS (ANTWERP 1627-1689)
ALEXANDER COOSEMANS (ANTWERP 1627-1689)
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ALEXANDER COOSEMANS (ANTWERP 1627-1689)

A basket of lemons, asparagus, peaches, a melon, plums, grapes and other fruit with a lobster, in a landscape

细节
22 x 32 in. (55.9 x 81.3 cm.)
来源
with Jacques Goudstikker (1897-1940), Amsterdam, as 'Abraham Breughel', later as 'Jan Davidsz. de Heem', 1919.
with Leger Galleries, London, by 1978.
David Peskin, by 1978.
with Noortman & Brod, London, by 1983.
Anonymous sale; Christie's, New York, 15 January 1985, lot 69, where acquired by the present owner.
出版
F.G. Meijer, Asperges in olieverf, Vemlo, 2005, pp. 28, 31, 32, cat. 23.
展览
Amsterdam, Jacques Goudstikker, Tentoonstelling van 17th eeuwsche schilder, Kunst in 'Kunstlidfde', 12 Decmber 1915-3 January 1916, no. 30, as Jan Davidsz. de Heem.
Amsterdam, Jacques Goudstikker, Collectie Goudstikker, 1916, no. 18, as Jan Davidsz. de Heem.
Amsterdam, The Hague and Rotterdam, Jacques Goudstikker, Collectie Goudstikker, 1917, no. 22, as Jan Davidsz. de Heem.
Amsterdam, Jacques Goudstikker, Collectie Goudstikker, 1918, no. 16, as Jan Davidsz. de Heem.
Rotterdam, Catalogus van de Collectie Goudstikker, Academie van Beeldende Kunsten en Technische Wetenschappen, no. 12, May-June 1919, no. 35, as Jan Davidsz. de Heem.
(Possibly) Copenhagen, Udstilling af ældre og nyere Hollandsk malerkunst, 1922, no 46.

荣誉呈献

Csongor Kis
Csongor Kis AVP, Specialist

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拍品专文

This still life is a particularly fine example of the carefully composed compositions that defined the career of the Flemish artist Alexander Coosemans. A specialist in this genre, Coosemans trained with Jan Davidsz. De Heem, the leading still-life painter of the Golden age, and became a master in the Guild of St Luke in Antwerp in 1645. Much of his career was spent in his hometown of Antwerp, apart from a few years in Italy between 1649-1651, during which time he executed still-life elements for decorative paintings commissioned by the Doria Pamphilj family for their palazzi in Genoa and Rome. Coosemans excelled in capturing different surface textures, as is beautifully illustrated in the handling of light on the lobster, which dominates the right half of this composition. The vibrant palette and treatment of the open landscape in the distance would suggest this work dates to the period following the artist’s years in Italy.

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