A REGENCY ROSEWOOD AND PARCEL-GILT TORCHERE
A REGENCY ROSEWOOD AND PARCEL-GILT TORCHERE
A REGENCY ROSEWOOD AND PARCEL-GILT TORCHERE
A REGENCY ROSEWOOD AND PARCEL-GILT TORCHERE
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A REGENCY ROSEWOOD AND PARCEL-GILT TORCHERE

CIRCA 1820

細節
A REGENCY ROSEWOOD AND PARCEL-GILT TORCHERE
CIRCA 1820
The circular scagliola top, above a laurel-wrapped column, on scrolled acanthus base, with concave-sided plinth
45 ½ in. (115.5 cm.) high
來源
Acquired from Antichita, Rome, 1985.
Property from a New York Collection; sold Christie's, New York, 27 October 2006, lot 58.

榮譽呈獻

Benedict Winter
Benedict Winter Director, Specialist

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拍品專文


This tripod torchere is conceived as a Roman candelabrum in the antique manner promoted by the Rome-trained architect C.H. Tatham's, Etchings of Ancient Ornamental Architecture, 1799. Its design, with reeded rim and Roman acanthus-wrapped pillar, derives in part from a marble antiquity from Hadrian's villa illustrated by the Italian architect G.B. Piranesi in Vasi, Candelabri e Cippi, Rome, 1778. Designers such as Tatham, the protégé of Henry Holland, and Vulliamy & Son took advantage of the decreased number of imported luxury objets d'art from Parisian marchands-merciers during the French wars of the early 19th century. Torcheres were among the most sought-after commissions they received.
The overall design recalls two pairs of bronze candelabra supplied in 1807-1808 by Royal suppliers Vulliamy & Son for the 8th Lord Kinnaird (d. 1826), one pair of which was acquired for the Royal Pavilion at Brighton in 1971 (see R. Smith, 'Vulliamy and the Kinnaird candelabra: Craftsmanship and Patronage in Regency London', Apollo, January 1997, pp. 30-34). Another similar example in bronze, likely to have been commissioned by John Russell, 6th Duke of Bedford (d. 1839), was sold Christie's house sale, Woburn Abbey, Bedford, 20-21 September 2004, lot 15.

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