REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
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REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Artist's Mother seated at a Table, looking right: three Quarter Length

細節
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Artist's Mother seated at a Table, looking right: three Quarter Length
etching, circa 1631, on laid paper, watermark Arms of Württemberg (Hinterding B.a.), a very fine, early impression of the second state (of three), printing strongly and evenly, with the spot of burr on the nose very prominent, the intricate lines on her face and hands printing very clearly, with narrow to thread margins, in very good condition
Plate 147 x 130 mm.
Sheet 148 x 131 mm
來源
Alfred Morrison (1821-1897), London and Fonthill, Wiltshire (Lugt 151); presumably his posthumous sale, Sotheby's, London, 11-14 July 1906.
With Kennedy Galleries, New York (with their label on the back of the frame).
出版
Bartsch, Hollstein 343; Hind 52; New Hollstein 91
注意事項
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

榮譽呈獻

Stefano Franceschi
Stefano Franceschi Specialist

拍品專文

The identity of the sitter of this portrait is not ultimately confirmed, but there is little doubt that it is a portrait of Rembrandt’s mother. In 1679, the Amsterdam print dealer Clement de Jonghe described another portrait plate, clearly showing the same woman, as the artist’s mother. New Hollstein records no fewer than 16 different watermarks on impressions of this print, evidence of how popular it must have been and how frequently Rembrandt reprinted it. Although not a rare print, early impressions such as the present one are difficult to find, as the dense work of her stole and veil and the fine lines which so beautifully describe her wrinkled face and hands wore quickly.

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