A LARGE GRAY SCHIST FIGURE OF A BODHISATTVA
PROPERTY FROM THE JAMES AND MARILYNN ALSDORF COLLECTION
A LARGE GRAY SCHIST FIGURE OF A BODHISATTVA

ANCIENT REGION OF GANDHARA, 3RD-4TH CENTURY CE

细节
A LARGE GRAY SCHIST FIGURE OF A BODHISATTVA
ANCIENT REGION OF GANDHARA, 3RD-4TH CENTURY CE
62 in. (157.5 cm.) high
来源
Parke Bernet Galleries, New York, 3 April 1971, lot 65.
The James and Marilynn Alsdorf Collection, Chicago.
出版
P. Pal, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection, Chicago, 1997, pp. 125 and 307, cat. no. 154.
展览
The Art Institute of Chicago, “A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection,” 2 August-26 October 1997, cat. no. 154.

拍品专文

The present figure, as indicated by the lotus held in the left hand, represents Padmapani, a manifestation of the bodhisattva, Avalokiteshvara. The origins and importance of Padmapani and other bodhisattvas were developed with the rise of Mahayana Buddhism; he represents the compassion of all Buddhas. Alongside the Buddha and the bodhisattva Maitreya, Avalokiteshvara is considered one of the principle deities of early Gandharan Buddhism. The base of the figure displays a scene depicting a homa, or fire ritual, performed by a monk with three participants, one of whom is female. During such rituals, the priest would pour ghee, or clarified butter, and various ointments onto the blaze lit within the cauldron.

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