A FATIMID CARVED ROCK-CRYSTAL BOTTLE
A FATIMID CARVED ROCK-CRYSTAL BOTTLE
A FATIMID CARVED ROCK-CRYSTAL BOTTLE
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A FATIMID CARVED ROCK-CRYSTAL BOTTLE

EGYPT, SECOND HALF 10TH CENTURY

细节
A FATIMID CARVED ROCK-CRYSTAL BOTTLE
EGYPT, SECOND HALF 10TH CENTURY
Of cylindrical form, rising from a short foot through two pronounced bosses, the body carved with two bands of scrolling curved palmettes interspersed with small leaves with delicate chevron motifs, traces of a further pronounced boss above and a slightly flaring rim, the hollowed out interior with traces of surface encrustation, small chips and an area of loss
3 ¼in. (8.3cm.) high; 1 ¼in. (3.2cm.) wide
来源
Private collection, USA, since the 1970s (by repute)
Anon sale, Christie's, London, 9 October 2014, lot 21
出版
Masterpieces from a Royal Collection, The Forbidden City Publishing House, 2018, p. 358; illus. p. 359; cat. no. 140.
Europa und der Orient, 1989, pl.636.
展览
Palace Museum, Beijing, Masterpieces from a Royal Collection, 17/04/2018 - 17/06/2018, Cat. no. 140
注意事项
These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
拍场告示
Please note that this lot is not published in Kurt Erdmann, Neue Islamische Bergkristalle, 1959, Ars Orientalis III as stated in the printed catalogue.

拍品专文

There are around 180 rock crystal carvings that were made in the Islamic World between the eighth and eleventh centuries. Of these, a few, mostly personal ornaments, have been attributed to Persia where there was undoubtedly a well-established tradition of carving in crystal. The greatest number, however, were made in Mesopotamia and Egypt. In the second half of the 10th century, in Egypt, a country with an ancient tradition of hardstone carving, the craft of crystal carving in relief was fully realised. Until then, the predominant style of carving was the so-called bevelled technique in which the decorative elements were separated one from the other by slanting cuts so that compositions were linear with no background. For an example of this earlier type see Kurt Erdmann's 'Neue Islamische Bergkristalle', Ars Orientalis III, 1959, pp.200-205, no.4. Our bottle with its repeated palmettes issuing from raised scrolls is very similar to a bottle published by Erdmann (1959, chapter no.1). Notably both our present bottle and that published by Erdmann have raised collars which flank the central decorative panel.

Many of these small ampullae came to Europe in the middle ages and were used as reliquaries in churches. Examples can be found in the treasuries of the cathedral of Halberstadt and in the Stiftskirchengemeinde in Bad-Gandersheim (Europa und der Orient, exhibition catalogue, Berlin, 1989, no, pl.636). Another closely related flask is in the Victoria and Albert Museum (Contadini, 1998, pl.4). A Fatimid bottle also dated to the second half of the 10th century was sold in these Rooms, 7 April 2011, lot 82.

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