A PAIR OF NYMPHENBURG PORCELAIN GOLD-GROUND ORNITHOLOGICAL PLATES
A PAIR OF NYMPHENBURG PORCELAIN GOLD-GROUND ORNITHOLOGICAL PLATES
A PAIR OF NYMPHENBURG PORCELAIN GOLD-GROUND ORNITHOLOGICAL PLATES
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These lots have been imported from outside the EU … 显示更多 A DISTINGUISHED PRIVATE COLLECTION FROM LAKE LUGANO
A PAIR OF NYMPHENBURG PORCELAIN GOLD-GROUND ORNITHOLOGICAL PLATES

CIRCA 1815, IMPRESSED SHIELD MARKS, NUMERALS AND ROMAN NUMERALS

细节
A PAIR OF NYMPHENBURG PORCELAIN GOLD-GROUND ORNITHOLOGICAL PLATES
CIRCA 1815, IMPRESSED SHIELD MARKS, NUMERALS AND ROMAN NUMERALS
Each painted with a specimen parrot named in black script on the reverse for Le Perroquet Cendré and Le Perroquet cendré Tapiré, within floral garland borders
10 ¾ in. (27.3 cm.) diameter
来源
HRH Princess Arnulf of Bavaria, thence by descent.
Property of a European Princely family; sale, Sotheby's, Zurich, 1 June 1994, lots 291 & 302
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

拍品专文

The parrots painted here are examples taken from coloured engravings by Jacques Barraband, published in François Le Vaillant's Histoire Naturelle des Perroquets, published by Levrault, Schoell & Company between 1794 and 1805.
Jacques Barraband (1767-1809) was considered the best artist of natural history of his generation, and posthumously in 1820, the German zoologist Heinrich Kuhl (1797-1821) commemorated him by naming a species of South American parrot after him, the Psittacus barrabandi.
François Le Vaillant (1763-1824) was an adventurer and explorer as well as a keen amateur ornithologist. He published widely on the subject of natural history and is credited with having described over five-hundred new species in his lifetime. His work was published by subscription and his text along with engravings of Barraband's individual watercolours were sent out to subscribers for over a decade.

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