拍品 505
505
PASQUALE ROMANELLI (ITALIAN, 1812-1887)
These lots have been imported from outside the EU … 显示更多
PASQUALE ROMANELLI (ITALIAN, 1812-1887)

He loves me, he loves me not

细节
PASQUALE ROMANELLI (ITALIAN, 1812-1887)
He loves me, he loves me not
signed and dated 'P. Romanelli Fece F.e 1872'
marble
30 ½ in. (77.5 cm.) high
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

荣誉呈献

Giles Forster
Giles Forster
+44 (0)20 7389 2146

拍品专文

Pasquale Romanelli was a pupil of Luigi Pampaloni and Lorenzo Bartolini in Florence. He subsequently became Bartolini's collaborator and continued his studio on the latter's death. Romanelli achieved renown in his own right, executing numerous public monuments in his native Italy and exhibited both in Paris and London. Historicising romantic subjects were very popular in Italian sculpture of the late 19th century and here Romanelli depicts, with typical sentimentality, the game of ‘he loves me, he loves me not’.

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