A FRENCH PATINATED-BRONZE GROUP, ENTITLED 'GUERRIER TARTARE ARRETANT SON CHEVAL' (TARTAR WARRIOR HALTING HIS HORSE)
A FRENCH PATINATED-BRONZE GROUP, ENTITLED 'GUERRIER TARTARE ARRETANT SON CHEVAL' (TARTAR WARRIOR HALTING HIS HORSE)
1 更多
THE PROPERTY OF A LADY
A FRENCH PATINATED-BRONZE GROUP, ENTITLED `GUERRIER TARTARE ARRETANT SON CHEVAL' (TARTAR WARRIOR HALTING HIS HORSE)

CAST BY FERDINAND BARBEDIENNE FROM THE MODEL BY ANTOINE-LOUIS BARYE (1796-1875), PARIS, LATE 19TH CENTURY

细节
A FRENCH PATINATED-BRONZE GROUP, ENTITLED 'GUERRIER TARTARE ARRETANT SON CHEVAL' (TARTAR WARRIOR HALTING HIS HORSE)
CAST BY FERDINAND BARBEDIENNE FROM THE MODEL BY ANTOINE-LOUIS BARYE (1796-1875), PARIS, LATE 19TH CENTURY
Signed 'BARYE' and 'F. BARBEDIENNE FONDEUR'
14 ¼ in. (36 cm.) high
出版
COMPARATIVE LITERATURE:
M. Poletti and A. Richarme, BARYE Catalogue raisonné des sculptures, Paris, 2000, F10, pp. 76-77.

拍品专文

Though chiefly known for his work in the animalier realm, Antoine-Louis Barye also executed a series of celebrated equestrian sculptural groups including the dramatic Angélique et Roger, montés sur l’hippogriffe which was created as part of an elaborate garniture de cheminée for the duc de Montpensier in the 1840s. The present model, representing a Tartar warrior astride his rearing steed, reprises much of the theatricality and careful attention to detail Barye exhibited in this celebrated mythological sculpture. Poletti and Richarme suggest that the model is `emblématique de la statuette romantique…[et] l’un des plus célèbres de Barye’ and first document it in his oeuvre from the 1850s (M. Poletti and A. Richarme, op. cit., p. 76).

更多来自 满目琳琅:十九世纪家具、雕塑及工艺精品

查看全部
查看全部