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THE AUGSBURG HAUSMALERI
Augsburg had long been a centre for fine and decorative arts production for centuries. By the early 18th Century some goldsmiths and silversmiths were turning their skills to decorating porcelain from various factories, including Meissen. The Seuter workshop is perhaps the most famous of these hausmaler, set up under Bartolomäus Seuter, a goldsmith, engraver and maiolica dealer, amongst other things. Seuter worked in gilding on Nuremburg fayence and white Bayreuth and Meissen porcelain. Some of the following pieces are typical of the Seuter workshop, decorated with chinoiserie figures within distinctive scrollwork borders. The dual practices of the hausmaler and the goldsmith are encapsulated in this broad cohesive collection.
A MEISSEN HAUSMALERI GOLDCHINESEN TEAPOT AND COVER
THE PORCELAIN CIRCA 1725, THE AUGSBURG DECORATION VERY SLIGHTLY LATER, LUSTRED JS MARK
细节
A MEISSEN HAUSMALERI GOLDCHINESEN TEAPOT AND COVER
THE PORCELAIN CIRCA 1725, THE AUGSBURG DECORATION VERY SLIGHTLY LATER, LUSTRED JS MARK
With stalk handle, the curved spout with a mask terminal, decorated in Augsburg at the Seuter workshop with Oriental figures at various pursuits, mounted with a silver-gilt chain to cover and handle
4½ in. (11.5 cm.) high
THE PORCELAIN CIRCA 1725, THE AUGSBURG DECORATION VERY SLIGHTLY LATER, LUSTRED JS MARK
With stalk handle, the curved spout with a mask terminal, decorated in Augsburg at the Seuter workshop with Oriental figures at various pursuits, mounted with a silver-gilt chain to cover and handle
4½ in. (11.5 cm.) high
出版
For a similar example see Ducret, Meissen Porzellan, Germany 1971, p.115.
荣誉呈献
Adrian Hume-Sayer
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