HIZIR BEY: QASIDA AL-NUNIYYA
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HIZIR BEY: QASIDA AL-NUNIYYA

SIGNED MUSTAFA RAQIM, OTTOMAN TURKEY, FIRST QUARTER 19TH CENTURY

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HIZIR BEY: QASIDA AL-NUNIYYA
SIGNED MUSTAFA RAQIM, OTTOMAN TURKEY, FIRST QUARTER 19TH CENTURY
Arabic manuscript on paper, 10ff. each with a line of strong black thuluth over two panels containing 5ll. of naskh, gold, black and blue inter-panel divisions and margins, mounted on gold-speckled polychrome borders, colophon signed, concertina bound in maroon and black morocco with stamped gold medallions
Text panel 3¾ x 6 3/8in. (9.6 x 16.1cm.); folio 7½ x 9 7/8in. (19 x 25cm.)
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拍品專文

Mustafa Raqim was born in Ünye, on the Black Sea, in 1757. Whilst he was still young, he went to live with his brother, the famous Isma'il Zuhdi, in Istanbul who taught him calligraphy along with Üçüncü Dervis Ali. He achieved his ijaza at the age of only 12.

Mustafa Raqim was also a painter. He presented one work to Sultan Selim III (r.1789-1807), which was so admired that he was invited to become muderris (professor) and given the responsibility for making drawings for Ottoman currency, as well as for writing the tughra. Amongst his students of calligraphy were Sultan Mahmud II (r.1808-39). In 1823 he rose to the position of Kazasker (Chief Military Judge) and died in 1826 (Sevket Rado, Türk Hattalari, Istanbul, 1980, p.196 and Letters in Gold. Ottoman Calligraphy from the Sakip Sabanci Collection, Istanbul, exhibition catalogue, New York, 1998, p.98).

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