17TH/18TH CENTURY, SIGNED SHANGJUN

细节

A SMALL SHOUSHAN SOAPSTONE RECLINING FIGURE
17TH/18TH CENTURY, SIGNED SHANGJUN
The finely carved figure is shown reclining against a brocade sack with lotus and wave pattern tied with a knot, and wearing a loosely draped robe over pants from which his sandaled right foot protrudes. His somewhat fleshy face is carved with a contented expression, and the stubble of his beard and mustache are indicated by fine stippling, while his hair is detailed by fine linear markings. A two-character signature, Shangjun, is carved on the back. The luminous stone is of warm, creamy honey color.
3½ in. (8.9 cm.) wide

来源

Private collection, New York, by repute acquired in the 1920s.

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拍品专文

Shangjun is the zi, or sobriquet, of Zhou Bin, a native Fujian province, who was believed to have worked during the Kangxi period, and was renowned for his fine soapstone carvings. For a further discussion on Zhou Bin, see the note to lot 1760.

Compare the tianhuang figure of a luohan, also signed Shangjun, shown in a similar reclining pose, but with his belly exposed and shown clutching the bundle against which he rests, in the Palace Museum, Beijing, illustrated in 50 Selected Gems of Cultureal Relics, Beijing, 1999, no. 192. Unlike the Palace luohan, the present figure is shown wearing finely detailed sandals.

See, also, the very similarly carved baifurong figure of a reclining luohan of slightly larger size (9.8 cm.) and also bearing the signature Shangjun, sold at Bonham's Hong Kong, 25 May 2011, lot 208. The Bonham's luohan is carved in mirror image of the present figure and wears similarly carved robes and sandals.

For other soapstone figures bearing the signature Zhou Bin or his zi, Shangjun, see the figure of a luohan, shown seated on a carved cushion-form base, illustrated in H. Moss, Arts from the Scholar's Studio, Hong Kong, 1986, p. 87, no. 44, and the figure of a seated luohan sold at Sotheby's New York, 22 September 2005, lot 60.