A REGENCY MAHOGANY EIGHT-DAY STRIKING LONGCASE CLOCK
A REGENCY MAHOGANY EIGHT-DAY STRIKING LONGCASE CLOCK

JOHN GRANT, LONDON, CIRCA 1810/1815, NO.370

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A REGENCY MAHOGANY EIGHT-DAY STRIKING LONGCASE CLOCK
JOHN GRANT, LONDON, CIRCA 1810/1815, NO.370
CASE: the waisted balloon-shaped hood with urn finial and silk-backed frets to sides DIAL: the white enamel dial signed GRANT, Fleet Street, LONDON, No.370 MOVEMENT: the eight-day movement with anchor escapement and strike on bell, with pendulum and weights
95 in. (241 cm.) high; 16½ in. (42 cm.) wide; 9½ in. (24 cm.) deep

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Alexandra Cruden
Alexandra Cruden

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John Grant (1781-1810) was an exceptional clockmaker, described by Cedric Jagger as 'one of the finest of the London clockmakers at the end of the 18th Century' (Cedric Jagger, Royal Clocks, Hale, 1983, pp. 101-103.) He was apprenticed to his uncle, Alexander Cumming (1733-1814), and it is possible they may have been in business together at some point. Certainly Cumming's influence can be seen in the case design of the present clock. The evolution of the case design can be traced back to Alexander Cumming's masterpiece, the barograph clock made for George III circa 1765, under the direction of the architect Sir William Chambers. In particular it references Cumming's second barograph clock, housed in Chippendale's marquetry and ormolu-enriched case and made in the 1770s. (see Christopher Gilbert, Thomas Chippendale, London, 1978, figs 35-7.)

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