A FINE FRENCH ORMOLU-MOUNTED AMARANTH, SYCAMORE AND PARQUETRY TABLE DE SALON
A FINE FRENCH ORMOLU-MOUNTED AMARANTH, SYCAMORE AND PARQUETRY TABLE DE SALON
A FINE FRENCH ORMOLU-MOUNTED AMARANTH, SYCAMORE AND PARQUETRY TABLE DE SALON
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A FINE FRENCH ORMOLU-MOUNTED AMARANTH, SYCAMORE AND PARQUETRY TABLE DE SALON

BY HENRY DASSON, AFTER THE MODEL BY JEAN-HENRI RIESENER, PARIS, DATED 1883

細節
A FINE FRENCH ORMOLU-MOUNTED AMARANTH, SYCAMORE AND PARQUETRY TABLE DE SALON
BY HENRY DASSON, AFTER THE MODEL BY JEAN-HENRI RIESENER, PARIS, DATED 1883
The shaped-rectangular top with diamond-parquetry field and three-quarter entrelac pierced gallery, signed 'henry Dasson 1883' above a sprung frieze drawer fronted by stiff-leaf framed panels and loop handles, the reverse with a false drawer, conforming panelled sides, on square tapering legs headed by vine-entwined thyrsus mounts, with acanthus-cast sabots
28¼ in. (72 cm.) high; 27½ in. (70 cm.) wide; 19 in. (48 cm.) deep

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Casey Rogers
Casey Rogers

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This table de salon by Henry Dasson (d.1896) is related to a table made by Jean-Henri Riesener (d.1806), and delivered in 1783 for the cabinet intérieur of Madame Elisabeth at Versailles, sister to Louis XVI, now in the Philadelphia Museum of Art (1939-41-9). Another table by Riesener, of similar proportions but with octagonal legs, in the Palais des Tuilleries and the Palais de Compiègne during the 19th century, is in the Louvre (OA 5162). Of note is a portrait of Riesener posing next to a table of similar form painted by Nicolas-Jacques-Antoine Vestier (d.1816).
A virtually identical table, possibly the same table, was sold Hôtel Drouot, Beaussant Lefèvre, 28 June 2000, lot 209 (65,000 francs). This table was formerly in the Camondo collection. Another closely related table à ecrire stamped 'Beurdeley Paris' sold Sotheby's New York, 19 April 2007, lot 153 ($27,000). This Riesener model was undoubtedly a popular design for the same sale included another very similar table stamped 'F. Durand.Fils', lot 152.
For a note on Dasson, see lot 153.

更多來自 <strong>滿目琳琅:歐洲裝飾藝術五百年</strong>

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