CIRCA 1750-60, BLUE SHIELD MARK, INCISED W MARK AND PAINTER'S MARK 30

细节

A VIENNA FIGURE OF A STREET VENDOR
CIRCA 1750-60, BLUE SHIELD MARK, INCISED W MARK AND PAINTER'S MARK 30
Modelled as a peasant woman in Eastern costume, standing beside a flaming brazier, holding a tray of chestnuts covered by a cloth and supported on a rockwork pedestal, in a white headscarf, fur-lined red jacket, a fur-trimmed yellow dress with ankle-length matching trousers, a brown fur apron and brown sandals, on a white mound base (restoration to both arms and hands, tray, brazier, foot and base)
6¼ in. (15.8 cm.) high

注意事项

VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Matilda Burn

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拍品专文

Costume balls played an important role in courtly entertainment in Vienna at the time that this figure was made, and masked or masquerade balls were regularly held under themes such as kingdoms, Wirtschaft1 or peasant weddings. These festivities saw guests dressing as anything from Compostela pilgrims to waiters, from cavaliers to street vendors. The Vienna manufactory produced a number of figures that mirrored this interest in masquerading as entertainment. The unusual costume worn by this peasant figure has a Far Eastern feel that reflects the contemporary interest in exoticism, yet it is so richly trimmed with fur that it would not have looked out of place at a courtly gathering. For an illustration of this model and a detailed discussion of this type of figure and courtly entertainments of the time see, Elisabeth Sturm-Bednarczyk and Elisabeth Sladek, Ceremonies, Feasts, Costumes, Viennese Porcelain Figures during the Reign of Maria Theresia, Vienna, 2007, pp. 103-127, no. 144.

1. Scenarios based on occupations and working communities, perhaps on a country estate, in a vineyard or at an inn. See Elisabeth Sturm-Bednarczyk and Elisabeth Sladek, ibid., Vienna, 2007, p. 106.