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A GROUP OF FOUR POLYCHROME-ENAMELLED INSCRIBED CERAMIC PLAQUES
A GROUP OF FOUR POLYCHROME-ENAMELLED INSCRIBED CERAMIC PLAQUES

QING DYNASTY, LATE 19TH CENTURY, SIGNED 'CHENG MEN'

细节
A GROUP OF FOUR POLYCHROME-ENAMELLED INSCRIBED CERAMIC PLAQUES
QING DYNASTY, LATE 19TH CENTURY, SIGNED 'CHENG MEN'
The rectangular plaques are enamelled in soft tones of blue, iron-red, soft green and brown to depict figures in various monumental mountain-landscape scenes. Each panel is inscribed with a short text describing the scene and signed by the artist, Cheng Men, followed by his seal in iron-red.
15 1/8 x 9 7/8 in. (38.4 x 25.1 cm.), boxes (4)

荣誉呈献

Angela Kung
Angela Kung

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Cheng Men (1834-1908) is recorded in a Republic publication, Zhongguo Huajia Renming Cidian, 'A Dictionary of Chinese Artists', as an artist of the late Qing period renowned for his paintings of landscapes, figures and flowers, see Zhushan Bayou, Shanghai wenhua chubanshe, 2008, p. 15. Cheng Men was also known to have enamelled ceramics at Jingdezhen and together with his contemporaries Jin Pinqing and Wang Shaowei, were pioneers in the use of soft matt enamels on ceramics which had profound effect on the works of later artists of the Republic period. Two of the present panels are inscribed with dates, the first indicates that it was painted by the artist when he was fifty-six years old (1889) and another bears a Guangxu third year, dingchou date which corresponds to 1877.