AN EMPIRE ORMOLU AND PATINATED BRONZE STRIKING PENDULE AU VASE
VAT rate of 5% is payable on hammer price and at 2… 顯示更多
AN EMPIRE ORMOLU AND PATINATED BRONZE STRIKING PENDULE AU VASE

THE CASE ATTRIBUTED TO PIERRE-PHILIPPE THOMIRE OR CLAUDE GALLE, EARLY 19TH CENTURY

細節
AN EMPIRE ORMOLU AND PATINATED BRONZE STRIKING PENDULE AU VASE
THE CASE ATTRIBUTED TO PIERRE-PHILIPPE THOMIRE OR CLAUDE GALLE, EARLY 19TH CENTURY
CASE: the vase with pinecone terminal to the pierced cover, the rim supported by scantily draped maidens above outset scrolls, the dial with ribbon tied floral festoons, a head of Mercury below, the waisted socle with laurel collar above a stepped square section pedestal probably later malachite veneered DIAL: silvered, with black painted chapters and blued steel Breguet hands MOVEMENT: twin barrels with silk suspension and countwheel strike on bell
23¼ in. (59 cm.) high; 7¾ in. (19.7 cm.) wide; 8 in. (20.3 cm.) deep
注意事項
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

榮譽呈獻

Caitlin Yates
Caitlin Yates

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拍品專文

Pierre-Philippe Thomire (1751-1843) or Claude Galle (1759-1815) have traditionally been attributed as the designers of this urn clock; various decorative elements appear on items executed by both of these celebrated bronziers. An engraving of this model is in the Recueil de La Mésangère, Collection de Meubles et objects de goût of 1807. A clock of related design with enamel dial was sold Christie's London, 22 September 2011, lot 16, £15,000. A similar clock was supplied by Lepaute to the Château de Fontainebleau for the 'appartement doré no. 1, cour ovale', and is recorded as '...une pendule vase à vase de forme Médicis, corps en bronze, richement décoré de divers ornements (...) 800' (J.-P. Samoyault, Pendules et bronzes d'ameublement entrés sous le Premier Empire, Paris, 1989, p. 81, no. 47). Two similar clocks with movements signed by Folin and Devillaine are in the Museé François-Duesberg, Mons, Belgium (P. Kjellberg, Encyclopédie de la pendule Française, Paris, 1997, p. 327, fig. C).

更多來自 <strong>滿目琳瑯:歐洲裝飾藝術五百年</strong>

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