A PAIR OF SOUTH GERMAN GREEN-PAINTED, PARCEL-GILT AND COMPOSITION PIER MIRRORS
A PAIR OF SOUTH GERMAN GREEN-PAINTED, PARCEL-GILT AND COMPOSITION PIER MIRRORS

EARLY 19TH CENTURY, IN THE MANNER OF PETER SCHMUCKERT, MANNHEIM

细节
A PAIR OF SOUTH GERMAN GREEN-PAINTED, PARCEL-GILT AND COMPOSITION PIER MIRRORS
EARLY 19TH CENTURY, IN THE MANNER OF PETER SCHMUCKERT, MANNHEIM
Each with divided rectangular plate framed by oak-leaf borders, one surmounted by a gardening trophy, the other a military trophy, each with egg-and-dart and shell cresting, the apron carved with musical trophies, one plate replaced, the green ground redecorated
105 in. (268 cm.) high; 42½ in. (80 cm.) wide (2)

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Victoria von Westenholz
Victoria von Westenholz

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These mirrors are closely related to the work of Peter Schmuckert (1765-1841) from Mannheim. Schmuckert, a trained gilder who had travelled Europe during his four years of Wanderschaft, opened a workshop in his home town in 1787. Despite the turmoils of the Revolution his business appears to have flourished and in 1806 he was able to acquire the silvering machines of the Elector of Mainz's loss-making mirror manufactury. This was around the time of refurbishments to the castle in Mannheim and Schmuckert must have profited from commissions as a result.

For the production of his mirrors and, from 1815, also furniture, Schmuckert used pre-fabricated moulded elements of ornamentation which he acquired from companies such as that of Joseph Beunat, who lists a whole range of ornaments in his Receuil de dessins d'ornement d'architecture de la manufacture de Joseph Beunat a Sarrebourg et a Paris. The trailing oak leaf on the present mirrors for example is closely related to a design by Beunat (see S. Spindler, 'Peter Schmuckert', Weltkunst, May 2001, pp. 808-810).