Lucio Fontana (1899-1968)
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Lucio Fontana (1899-1968)

Concetto spaziale, Attese

Details
Lucio Fontana (1899-1968)
Concetto spaziale, Attese
signed, titled and inscribed 'ATTESE l. fontana Concetto Spaziale Domani mattina vado a Albisola!' (on the reverse)
waterpaint on canvas
18½ x 15in. (47 x 38cm.)
Painted in 1964
Provenance
Marc Crokaert Collection, Brussels.
Private Collection, Brussels.
Vimercati Collection, Besana Brianza.
Studio Pescali, Milan.
Catani Collection, New York.
Private Collection, Geneva.
Anon. sale, Christie's London, 10 February 2005, lot 104.
Literature
E. Crispolti, Lucio Fontana: catalogue raisonné des peintures, sculptures et environments spatiaux, vol. II, Brussels 1974, no. 64 T 60 (illustrated, p. 155).
E. Crispolti, Lucio Fontana, Catalogo Generale, vol. II, Milan 1986, no. 64 T 60 (illustrated, p. 526).
E. Crispolti, Lucio Fontana, Catalogo ragionato di sculture, dipinti, ambientazioni, vol. II, Milan 2006, no. 64 T 60 (illustrated, p. 716).
Exhibited
Milan, Galleria Medea, L'avventura spaziale di Lucio Fontana, October-November 1974, no. 24 (illustrated).
Milan, Tornabuoni Arte, Lucio Fontana, May 1996 (illustrated in colour, pp. 116-117).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis. Please note Payments and Collections will be unavailable on Monday 12th July 2010 due to a major update to the Client Accounting IT system. For further details please call +44 (0) 20 7839 9060 or e-mail info@christies.com

Présenté par

Dina Amin
Dina Amin

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Descriptif du lot

'...And the slash, and the holes, the first holes, were not the destruction of painting...it was a dimension beyond the painting, the freedom to conveive art through any means, through any form. Art is not painting and sculpture alone: art is a creation of man, who can transform it into anything...'
(Fontana quoted in E. Crispolti, Lucio Fontana, Catalogo ragionato di sculture, dipinti, ambientazioni, vol. I, Milan 2006, p. 81).

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