A GEORGE III ENAMELLED GOLD BOÎTE-À-MOUCHES
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A GEORGE III ENAMELLED GOLD BOÎTE-À-MOUCHES

CIRCA 1780, LATER STRUCK WITH TWO FRENCH POST-1864 IMPORT MARKS FOR GOLD

细节
A GEORGE III ENAMELLED GOLD BOÎTE-À-MOUCHES
CIRCA 1780, LATER STRUCK WITH TWO FRENCH POST-1864 IMPORT MARKS FOR GOLD
Cylindrical box, the hinged lid centred with a sepia on brown ground enamel medallion of a classical scholar, within opaque white enamel pellet border, surrounded by translucent orange enamel on laurel guilloché ground, the base similarly decorated with orange enamel on radiating brilliant-cut ground, the engine-turned sides with royal blue guilloché enamel, white champlevé borders, the inside of the lid set with a mirror, with fitted shagreen case
1 7/16 in. (36 mm.) high; the case, 1¾ in. (44 mm.) high (2)
来源
S.A.R. La Principessa Maria Gabriella di Savoia; Christie's, London, 27 June 2007, lot 7.
注意事项
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

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Rodney Woolley
Rodney Woolley

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拍品专文

A number of boxes made in London at the turn of the 19th Century display distinctive sepia on brown ground enamelling. As can be seen on the present example, these scenes are often bordered in opaque white champlevé enamel and depict classicising figures in imitation of cameos. The fashion for this type of enamelling is attributed to the work of James Morisset, Louis and Simon Augustin Toussaint, William Charron and probably Gabriel Wirgman. The Gilbert Collection, now housed at the Victoria and Albert Museum, contains a similarly enamelled box of London manufacture from circa 1800 (C. Truman, The Gilbert Collection of Gold Boxes, Los Angeles, 1991, pp. 318-319, no. 110).