James Walsham Baldock (fl.1876-1887)
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James Walsham Baldock (fl.1876-1887)

Equestrian portrait of Samuel Reynell, Master of the Meath Hunt, mounted on a bay hunter, with other huntsmen and hounds, Archerstown beyond

细节
James Walsham Baldock (fl.1876-1887)
Equestrian portrait of Samuel Reynell, Master of the Meath Hunt, mounted on a bay hunter, with other huntsmen and hounds, Archerstown beyond
signed and dated 'JBaldock 1871' (lower left)
oil on canvas
41½ x 66 in. (105.5 x 167.8 cm.)
来源
Anon. sale, Christie's, 24 November 1972, lot 50, as by William and Henry Barraud (sold 8500 gns.)
Sotheby's, New York, 3 June 1994, lot 54 (sold $65,750).
出版
R. Longrigg, The History of Foxhunting, London, 1975, p.160, illustrated.
M.A. Wingfield, A Dictionary of Sporting Artists 1650-1990, Woodbridge, 1992, p.22.
A. Crookshank and the Knight of Glin, Ireland's Painters, 2002, p.201.
展览
Presented to Samuel Reynell on his retirement from the Meath Hunt in 1871.
注意事项
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.
拍场告示
The dates for this artist should read:
James Walsham Baldock (fl.1867-1887)

拍品专文

Samuel Arthur Reynell, of Archerstown, the son of Richard Reynell, of Killynon, Co. Westmeath, established a pack of hounds at Clonderlever and Archerstown and was the first person to hunt in an organised way in Westmeath establishing the Westmeath Foxhounds in 1835. He was Master of the Westmeath Hunt from 1835-41 and was then Master of the Meath Hunt from 1851-71. The hounds in the foreground of this picture bear the brandmark 'M' identifying their hunt, and Reynell's house, Archerstown, can be seen in the backgound. This picture was presented to Reynell on his retirement from the Mastership of the Meath Hunt in 1871.

James Baldock, who was born in Nottingham, and lived in Worksop, Nottinghamshire, worked in both oil and watercolour. He seems to have spent a considerable amount of time in Ireland, particularly in the Co. Meath area, where he painted a number of equestrian portraits. A charming group portrait by him of the Rutherfoord family, set in the farmyard at Mooretown, Co. Louth, is dated 1856 (see A. Crookshank and the Knight of Glin, op.cit., p.201-2, fig. 265). Aside from this picture he painted several other members of the Meath Hunt. Among his other distinguished patrons Baldock also counted Viscount Galway and the 5th Duke of Portland.